Influence Of The Oriental Buddhist Statues Of Balthus Figures

Balthus’s work belongs to the category of representational painting; the picture also has a noble classical implication and direct inner image mystery beyond breath. Different from the traditional figurative painting is Experience observation and rational Balthus pursuit of behind the appearance of internal mental state, and the picture is full of beauty and the universe of multilayer. In this paper, the characters and statues of Buddha image in Balthus paintings were observed and compared and Visual features, mainly on Buddha statues detached between virtual static life mental state and Balthus figure image and aesthetic spirit feature of visual and emotional relationship. From other processing image, Balthus in his works highly skill the figures refining, there are similarities between the processing technique and the Oriental Buddhist statues; From the aesthetic artistic conception, Balthus figure painting conveys my camera and virtual means the spirit level, match the Oriental Buddhist statues art emotion. Combining these two traits, the sense of reality that Balthus figures are not only the objective shape, there are beyond the level of spiritual connotation, which reflects the unique Oriental that Balthus molding form and aesthetic height. Balthus lifelong adoration and longing of Oriental culture force him to absorb nutrition from oriental culture, art, and the mastery of his own cultural structure. To some extent, Buddhist culture and art into the art painter and self-cultivation, become an indispensable spiritual character of his paintings, but also create stained with Oriental mysticism color for his paintings. Spirit connotation of Balthus figures make life overcome material desires of Lenovo, show the art of noble character and other exploration of the extraordinary achievements, but also reflects the perfect thing square two kinds of culture and art in a high level of agreement and unity.