The Study On Modernity Of Gao Ertai’s Aesthetic Thought

Gao Ertai is one of Chinese contemporary aesthetic community practitioners, but research on he always failed to deeply and systematically. The author tries from the perspective of modernity to comb again Gao Ertai aesthetic thought. Discussion of goyle’s aesthetics for the first time is the awakening of aesthetic modernity. During this period, his aesthetics has detached from rigid ideology discourse. From the individual’s aspect, based on perceptual experience and comprehend beauty in the individual aesthetic activities, people’s aesthetic experience is the conclusive evidence. As a result, he put forward the aesthetic feeling is aesthetic. He highlights the subjectivity and the subjective theory of aesthetics with the aesthetic experience, corrects the time of the dislocation of the aesthetics and philosophy, aesthetics and politics, in a confrontation with the system of political discourse to construct the discourse system of experience. The second debate over aesthetics, Gao Ertai aesthetic thoughts becomes more self-conscious and mature, it is the dominant period of aesthetic modernity. His aesthetics from the perceptual experience of micro level rises to the philosophy of history of the macro level, humanitarian as his philosophical foundation and his own initiative will focus more on people’s freedom and alienation, and which can obtain the liberation of humans and eliminate alienation, thus---"Aesthetic is the symbol of freedom". Perceptual and rational structure is Gao Ertai understanding of deep structure of aesthetics. Aesthetic feeling generated in the "accumulation" which perceptual power sublets the rational structure. With exploring spirit of gore and the esthetics research take the leading in introducing the methodology of natural science, and his philosophy of aesthetics from the historical philosophy level to the universe, aesthetic is the glory of the "one" is put forward.From the perspective of modernity carding Gao Ertai aesthetic thoughts, the author chooses the time order of two aesthetic big discussions to architecture system. According to the time sequence is discussed to help highlight Gao Ertai aesthetic thought has relative to the contemporary advanced, and the contemporary mainstream has transcendence, an age and the distance is the growth of modernity in the aesthetic thought of space. And this distance is derived from his own critical spirit and the courage to pursue the truth. The most important thing is that the growth of the modernity of soil is Gao Ertai to the individual. As the main body of the human’s deep understanding, people always is the pivot of his aesthetics. Modernity is the bright spots in Gao Ertai aesthetic thoughts, it is also the far place, his criticism of the traditional aesthetic thought is beyond the tradition and also the correction of postmodern which is too fragmented.