National Cultural Fusion Intangible Cultural Context

In the surging tide of modern culture, the traditional culture of their own sense ofimportance value, especially outstanding traditional art, and the world’s intangiblecultural heritage. In the long river of human development in different countries andnations to form their own cultural traditions and tone all have independent features.Man Han tune of origin and the integration of those already formed a relativelycomplete system of compulsory art transplant difference is due to the historicalopportunity to form a blend of both social and national system of national productionand living under a gradual change, according to the two peoples of this nation Artownership characteristics, independent form a unique cultural identity of folk artsongs.The full text consists of three parts, the first part is the preface, introduces thesubject and the background research topic, purpose and significance, literature reviewand research methods and ideas and so on. The second part of the text is divided intothree parts, the first outlines the Man Han tone reproduction of music history and thetitle of the genre space background, geographical conditions Man Han tone producedis inhabited by Mongolian and regions-Inner Mongolia Erdos the eastern side of theheart, in the form of production and living Mongolian and two peoples, cultures andcustoms, and special historical migration "West" have contributed to the formation ofdiffuse Han tune, and in terms of the title tune Man Han prefer "Man Hantune.".Secondly, a comparative analysis of local music, from the language andcustoms, and features a blend of folk art, more diffuse and Han tune as "gene" HanShan Jin pure Mongolian folk songs and especially short Mongolian folk tune. Furtheranalysis of the diffuse form of music study Han tune lyrics, musical form, melody,melody, accompaniment content features, Man Han tune lyrics use more than Xing Futechniques, suffix used nonsense syllables, often appear stacked word sentence, and aunique "wind stirred snow" feature. With modal tunes, the melodies of songs mainlyMongolian short tone for the foundation, the concert features the form or in the formof male and female duet song competition, the cavity also co-main chamber. Accompaniment of musical instruments, including four Mongolian and Han Hudulcimer and flute, but with the continuous improvement of people’s living standards,modern, musical accompaniment is also changed, the gradual emergence of moderninstruments such as organ and accordion. Finally, the third part of the comprehensivedevelopment of the body and to talk about their own characteristic sound aestheticvalue from the diffuse form of Han stressed, the social function of the angle, andabsorb a lot of the modern manifestations of the long-term development process,derived Man Han drama this comprehensive art form as well as the evolutionarystages of development, from the protection of heritage and other aspects discussed inits ethnic, folk and artistic.Man Han tune as intangible cultural heritage is a geographical and culturalimpact of the initiative to accept the creation of a new type of cultural integrationclass works of art, traditional art cannot be discarded, Man Han tune unique artisticcharm of music, we also need to pay more attention.