Research On Expression Method Of Li Yu’s "Xianqingouji"

From "Aphasia", from "what to say""how to say", select"xianqingouji" as the representative, to launch the concrete analysisof "the way of speaking", in order to this theory as the "Aphasia"anxiety, play a certain "effect"; and on the transformation andreconstruction of literary theory discourse, play a certain role inpromoting. In fact,"Li Yu" xianqingouji "expression" is a huge topic, inorder to avoid the large but impractical academic risk, quasi analysisfrom two aspects characteristic, causes, not only concerns"xianqingouji""say what", pay more attention to "xianqingouji""howto say" and "why such say" problem, deep thrust and thus a betterunderstanding of the text content and implication. Specific launchesthe explanation from five parts.The first part is introduction. From "Aphasia" to start, establishresearch topic, and then define the Li Yu,"xianqingouji", speech andmanner of speech as the research object, and introduces thesignificance of the research status and research ideas and methodsof this paper.The second part discusses the poetic:"xianqingouji" way ofspeech presentation. Poetic Li Yu "xianqingouji" speech mode ofpresentation, which follow the rules of traditional literary theory, but also can take off the rules, namely "have whatever one’s heartdesires" but not "more than a moment","not more than a moment"and "have whatever one’s heart desires", reached the ancientliterature and art of the highest level of literary theory. This realmprimarily manifested in two aspects: that is the type of writing andstyle. The pursuit of beautiful images of pictophonetic feeling andbeautiful, reflected in the statement as "legislation as symbolic as itis", in the sentence paragraph on the performance for the schematicnon temporal, finally on the genre is "not a word, ineffability exertromantic" to poetic presentation. In style, emphasizes the fusion ofpoetry and reason, with quaint appearance, for the performance ofparallel prose with magnificent structure, and ultimately to the wholeof life "through" thaw "swim" in the poetic art space.The third part discusses:"the psychological causes of"--"xianqingouji" poetic writing style. From the "heart in the sense ofmoving things", to "the heart of the matter" and "the heart of thematter","the final fruit carry a heart, more than the heart sent to theschool of mind", also "." To reveal and ontological analysis. Butthinking specification language, speech and thinking is always in themain "intentions" perfect fit, in Li Yu "xianqingouji" writing, the maincan be summed up in two words "heart". Here the "heart", which Li Yuhas the characteristic of systemic heart attached to speech. As aresult, one hand is to follow the thinking orientation, another is thethinking beyond the discipline, has been "heart however pen dictates"realm. In addition, disciplinary concepts defined. Li Yu diversifiedviews of art, but also affected and restricted to a certain extent"xianqingouji" way of expression. The fourth part discusses:"into the world"--"xianqingouji"poetic speech mode of the external context of discipline. The contextincludes text context and social context. Context is not only social,but also the history, essence, it is the culture."The variable stainingon the world situation", this chapter mainly from the two aspects ofsocial culture and history and culture, to explain Li Yu "xianqingouji"poetic speech mode of external discipline.The fifth part is the conclusion. Discusses the reflection--speechfurther thinking research on ancient literary theory. The ancientliterary theory of "how to say", creatively how to contemporaryliterary theory,"said" is the Chinese literary theory of poeticexpression to explore and learn the tradition with modern value wayof speaking and thinking mode. Summarized the whole content, andpoints out the shortcomings of this paper.