The Study Of Lou Ye Director

Since1990s growth, as a director of China’s new generation ofthe "sixth generation" directors in the film presents a unique style.Lou ye, as one of the representative of the director of the sixthgeneration, his work has a unique personal style. Lou ye ’s film worksdepicting the real life, show the urban emotion imbroglio, dares totouch and reveal the sensitive topic of the society, to give people thebiggest humanistic care. Shaking in the lens, dark colors, his filmsshow a dark, gloomy, unstable style, Lou Ye also use this perspectiveto display the cognition of the world.Based on the introduction of this paper expounds the researchdirector Lou ye the purpose and significance, as one of the uniquestyle of the "sixth generation" directors representative, his film styleis increasingly mature, become the exists in business outside themainstream of the possibility of a movie. From the research presentsituation analysis, for specialized research director Lou Ye has juststarted, a large space is worth digging.The first chapter is an overview of director Lou ye and his works.Part two introduces the director Lou ye ’s upbringing and movieproduction, a holistic overview of Lou ye. Director Lou ye fromchildhood, family art atmosphere, from the elementary school fine arts in the accident he took to the road of the movie, although hasexperienced a variety of restrictions from the outside, but he throughhis unremitting efforts, has won the acceptance of film and theaudience.The second chapter from the movie’s narrative perspective, thenarrative theme of Lou Ye ’s film works, narrative structure, narrativespace analysis, showing Lou Ye in the narrative characteristics. LouYe ’s movie with love as a perspective to perspective in lifephenomena and characters, giving the characters inner emotionalattention and behavior of extreme expression. He was able to subvertthe traditional narrative pattern, presenting a new narrative clue andtells the story of the film often occur in perspective, with Lou Ye marka city.The third chapter is the study of director Lou ye film style, fromthe movie scene, the music language, multiple images from threeaspects, presents the Lou ye movie style characteristics. Scene in themovie, selected the often use special scenes in the movie-a rainy dayas clues, the analysis of the key interpretation in the concreteapplication of different film for a rainy day, music as a language tobecome movie personalized narrative, Lou ye for the use of imagery isalso beautiful and diverse.The fourth chapter mainly summarizes the effects of foreignthoughts of Lou Ye, and elaborates his learning of foreign masterAntonioni, the specific film Lou Ye and foreign master Kieslowski’scomparative analysis.In Lou ye’s growth and learning process, therise of foreign ideas no matter from the aspects of film ideas ortechnology has a great influence on Lou ye indeed, but Lou ye on the basis of learning from our predecessors have formed the differentstyle.The fifth chapter from Lou ye in the overall positioning of the sixthgeneration, Lou ye comparing with the sixth generation of director jiazhangke, highlighting Lou ye’s personal style. Jia zhangke, as thesixth generation of collective leading character, his films in the grandnarrative, and growing concern for the fate of the little people in thepresent a unique style, Lou ye and comparison, also saw both as ondifferent features of the "sixth generation" directors. The finalconclusion of the fifth generation of the "sixth generation" directorsinheritance and development, and the whole paper presented theoverall film characteristics of Lou ye do a summary and outlook forLou ye and the trend of development of the "sixth generation"directors.Throughout the Lou ye, can see clearly that Lou ye from an initialattempt and exploration on the film language and narrative, hasgradually grown into a mature director, his film language can freelyexpress he want to express in the growth of observation and thinking.