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Ang Lee's Film Theory

Posted on:2009-12-16Degree:MasterType:Thesis
Country:ChinaCandidate:S Y FanFull Text:PDF
GTID:2205360245467488Subject:Radio and Television Arts
Abstract/Summary:PDF Full Text Request
We are now in global and multimedia information age; the film industry is meeting with globalization. Chinese film is eager for walking out of China and striding into historical arena. Film industry globalization not only needs introduction of many excellent films, but also needs more of our filmmakers to walk out of China and show their own culture and concept in the world main film system. The study of these filmmakers that have success in the world has an important real significance. In the decade of the 20th century, ang-lee made a great coup with his low budget film'family trilogy'. Than the style of his works are very particular. They can always make a balance of art dream and market return. As outstanding young director of latter new film has persevered in his active heart and the love of films after he came into the this field. The author of this thesis wants to try her best to supply the study of lee's films that have some achievements. It also can give an example to the Chinese films. The thesis will introduce and study his films, draw a conclusion of his Several films, and then analyse his films and the market's artifice deeply with the film narrate . Lee's success and experience can give them an elicitation. Then we can explore the development of Chinese films. The main ways of the study are reading films, summarizing experience, conclusion of theory and technology. It will be a fully and systemic study. The sixty-four-dollar question is using it for the reference of films to the world .Present, despite the concern about the Chinese film, but its development and production of the more mature aspects of Hollywood is still a certain distance. The restrictions affect many aspects of the overall quality of the film, the film based in the areas of the film can not be made from close to the audience, unable to adapt to enjoy public acceptance habits. Many so-called large in Oscar are all Sehuergui, box office and word-of-mouth there has been a great fault. Against encountered in the Chinese film, Ang Lee's personal philosophy, the style of Ang Lee and his film as a director in the western Chinese movie made in the recognition of our study are worthy of respect, not only to do in the film itself, accurate positioning in the market , filming close to the lives of ordinary people have real film, but also to the audience for the first psychological considerations, arts and ideological balance, the Chinese film can be made more healthy and prosperous development.The innovation of this essay lies in reading and analysis of ang lee's directing style, it affirms the effect Taiwan latter new films leave on ang lee's style, it regards him as one member of latter new films not because of his famous status in Hollywood but because of putting him as a director who is affected and changed by western culture. The essay also estimates ang lee's well-known Chinese films in Oscar objectively. It not only analyzes the success of ang lee's films, but also puts forward a lack of his experience; it clearly sees that ang lee's experienced films provide many places other Chinese filmmakers can study and use for reference and the particularity that only belongs to ang lee. It can keep more objective opinion when Chinese films are all copy ang lee's works.
Keywords/Search Tags:latter new film, Aesthetics style, Director Ann-lee, film narrate, Video and music style
PDF Full Text Request
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