Research On The Style Of Film Scoring Around CHEN KE XIN

Schopenhauer has put forward "all the art of longing for the form of music,all art leading to music." Music can carry the most direct human emotions,rather than simply simulation.It will be the original thinking of the abstract,and listen to the melody produced by the music has a polysemous characteristics.And music is the use of this emotional diversity,and other art marriage,such as the lyrics of the narrative poem "The Book of Songs" or to give the unconscious body to rhythm,the formation of different forms of dance.The art of "Le Si" concept and the abstract art to push the peak of the art form,is the integration of space art and time art of the seventh art-the film.In general,the film's creation mainly in literary script,the lens as the key link.Through the "montage" approach to the smallest unit of the lens lens of the diversity of the group to form a complete work.Material,the film through the entity records,or digital image remodeling,3D modeling animation or pure light of the organic display,geometric rearrangement,etc.to create a plot or concept mode.The basis of "concept" consists of different regions,spiritual civilization,the situation of human thinking.And for the film art workers,the ultimate question is how to build indifferent,figurative graphics,text,action to pass a specific mood,and across the differences to get widely recognized.I am afraid that only music can be people's complex perception of perception,unknown emotions and other factors to bridge,the film as a synthesis of the mother of art,both emotional and rational factors of transmission,but the face of unspeakable abstract emotions,it is difficult to use a specific image modeling or Visual code to define it,and the sound of the melody,rhythm,listen to the texture as an independent logic exists,it exists and human synaesthesia closest.From the perspective of film creation,the image can provide a specific range of wandering for the "borderless" mood.In turn,the music can break the limited literary description or the more monotonous narrative of the image,giving them more meaning,There is an inevitable relationship between images and music.Based on the concept of "fusion" mentioned above,this paper focuses on the back of the return of 97 and the period after the signing of the CEPA in 2003,which is one of the two important time nodes in the transformation of social form in Hong Kong.The mark.The rapid growth of the mainland market potential to urge the Hong Kong filmmakers to get rid of long-term single-regional thinking,to complete the artistic thinking of self-transformation,the pursuit of cross-strait communism common image aesthetic atmosphere,so as to establish a "cross-border co-production" of the new pattern.New market characteristics,review mechanism,the audience for the transformation of the Hong Kong film is a challenge,in addition,although the vast number of inland markets,but the cross-strait differences between the aesthetic system and artistic discourse is still "north" Hong Kong director The road need to explore the balance point,they face the problem is how to build "mainland identity" on the basis of,but also to maintain the personality of the Hong Kong film.In this era of change and integration,there is a Hong Kong film director keen to capture the intersection of different regions,that is,no difference between human emotions,he is rich in humanistic care image,full of the characteristics of the times,Sighing the vicissitudes of the cross-strait compatriots in the historical changes and the memory of the old days,he is known as the "North Pioneer" director,Chen Kexin.He is good at using the emotional integration of music art,so that the melody as part of the subject narrative.Let the specific song or note theme become a logical opportunity in the image works,such as Chen Kexin's debut "Twin Cities Story","sweet honey" during the return of1997,and the first film created in the north."If love is the most important The creation of time on the node,Chen Kexin without exception,the music as the film's emphasis,rather than the conventional load.This article is to explore the director Chen Kexin in the context of Hong Kong film transition period of the film soundtrack style changes,and make a specific audio and video analysis to provide more creative thinking.