From The Qi Baishi To Xin-jian Zhu Contemporary Literati Paintings And The New Literati Paintings

With the impact of western culture on Chinese traditional culture,art revolution also involvesa traditional painting field, more and morecommitted to saving the nation by art painter shave to go out of thecountry, learning the advanced western art thought, accepted thewestern education, and put the educational styles into China,speeding up the Chinese painting change, this trend has continuedto this day, no doubt, this method enriches Chinese painting, nomatter from the content, skill and artistic ideas, but also left a lot ofproblems. They accept the western philosophy of art ideas at thesame time, but also have a whole sale westernization of extremism,lost Chinese art charm, the country will Chinese traditional paintingas highbrow, put it away unheeded. The traditional way to continuesthe artist a serious warning: How to save the traditional Chinesepainting?Literati painting as the most species can represent Chinesetraditional painting, with its simple pen and ink, infinite charm andrich artistic conception is attracting the innumerable people toexplore its meaning. Therefore, although the situation was complex,there is still a person with breadth of vision to the traditional, always follow the path of development of traditional literati painting, keep theliterati painting about ink, bookish and artistic conception oftraditional.Qi Baishi as a representative to Chinese traditional painting, in thelong life of art with its unique insights, formed a unique style ofpainting, his extraordinary artistic talent, tenacious spirit ofexploration, the China literati painting is pushed forward, one step onthe basis of predecessors, will see its life express sincere feelings,with really reached the art and the perfect person. This type oftraditional art guardians including northern Jincheng, Wu Guxiang,Chen Shaomei, Hu Peiheng, Huang Binhong, Wu Hufan, South LuYanshao. These painters of traditional "respect" is a manifestation ofthe old literati culture. It is because of them, Chinese traditionalpainting to the timeless, always stands on the world stage.And thesixty or seventy’s China as a special period of cultural development ofliterary and artistic creation, all must serve politics, the developmentof traditional art Chinese inhibited. In the late seventy and earlyeighty’s, because of social transformation, the western new trend ofart once again impact domestic literary and art circles, so that thewhole painting are shrouded in various art forms, the historical statusChina traditional literati painting again severely hit,"the end of Chinapainting theory" is also in the community spread., in this context,there are still a number of artists in the stick to the traditional literatipainting, adhere to the road of development, follow the ancientculture forward, with Chen Shouxiang, Zhu Xinjian, Ji Youchen, WangHeping, Bian Ping Shan as the representative painters, formed agroup to help artists return to traditional. Put forward the concept of "new literati painting", and this name has held a series of exhibitions,become in recent years art circles persist the longest art groupactivities. These painters are is all kinds of new ideas, newtechniques and the performance of all kinds of art, interleaving era.But they are still devoted himself to the creation of traditionalpainting. Zhu Xinjian as a representative of this group, in his love forthe traditional arts, and its easy to ordinary talent, in the painting onthe road opens up a world of their own, this article attempts from theangle of the development of literati painting selected two artistsrepresented to explain their time, to explore the traditional art in thecurrent situation, two different periods of the characteristics of ink,and the artist the era in which the artistic style, and pen and ink spirit,some discussion of literati painting artist made a contribution to thedevelopment and the future development may propose.