The Research Of Campus Youth Film In The New Century

Reviewing of the mainland youth campus films in the newcentury, film producers got rid of the constraint of theideological tendency in particular historical period to regardboth the spreading of the quintessence of the Chinese5000years civilization and the Inheritance and extension of theessence of film art as their responsibility. They focused oncontemporary "pop culture" and "entertainment elements" andestablished the main line of “the memory of youth” that isdifferent from the past." implied audience", By shooting thecontemporary youth campus stories, students state of life,hesitation and dream were sufficiently emerged in the works.Characters mainly aimed at the middle school, universitycampus youth groups, which truly showed the characteristics ofyouth campus culture in each period to connect the audiencewith the film closely. Narrative melodies were unfolded togrowth theme,inspirational theme, theme of friendship,kinship,love and nostalgia. Although the mainland youth campusfilms are not clearly divided into types, each film is stillcontinuing with ancient civilization in various stages of youth campus in different ways,and also constantly enriching,improving and growing to mature. Film mode structures arepromoted gradually and the character images are presented tothe reality and life. Costume design is consistent with thecharacter temperament, environment and age, and scene issought for the familiarity to the audience, and the local dialectsare added in the aspect of the language, which demonstratesmore authenticity and artistry of the film and basically reflectsthe profound connotation in film levels. Audio-visual arts arerelaxing, natural and simple, giving the audiences variouspsychological effects by the simple application of skills such asthe change of light and the color contrast, and music orientationis relatively suitable as well. In the creation of artistic skills, theprevious mainland films styles in which the gorgeous screenswere sought deliberately and audio-visual impact was blindlycreated were broken through, partly coming close to romanceand entertainment. In addition, the traditional emotion conceptwere not only the director and the actor, new youth memories ofthe teenagers in this period, which was mixed with bitter tasteand the youth helpless, were displayed in public by somedirectors. In the special environment, the mainland campusyouth films embarked on the pursuit of simplicity and reality ofcampus life in order to promte the development of the Chinesecivilization and culture, meanwhile, the audiences can find theirown past figures, arouse the deep attainment to youth campuslife and fully enjoy the films. It is implyed that the audience began to pursue the profoundmeaning of the film in the spiritual level by the rise of youthcampus films "new power" in the new century. The audiencenarrative system of the film interpretation rapidly changed,which means that the Chinese movie "updating" trends appeared.The mainland campus youth films in the creation level payedmore attention to the significant expression of the meaning,neither the "form" nor the "rule". Meanwhile, the box office offilms with small investment in the mainland market is increasingall the way so that "youth campus film" not noticed seriouslybefore is opening its age.