Dancing Research Of Chu Dancing Of Ganshan Minority Group In Hua’an Zhangzhou

"Dance" spot directly based on labor and thrash rice is also called "song" spot "ChuLe" or "pestle", was left by the ancient people pestle mortar thrash rice labor forms of entertainment, later evolved into an independent art form, is also a distinctive in Taiwan gaoshan performing form of dance. It not only contains the nation for thousands of years of culture, but also reflects the national people’s labor, life, customs and religious beliefs. Part in the 1930 s, to avoid conflict, gaoshan southeast coastal ocean Marine came to the mainland, with the migration of gaoshan compatriots, will gaoshan "pestle dance" into the traditional dance culture of fujian province, zhangzhou hua an inhabited gaoshan compatriots, combining their daily work and dance art, create the ethnic characteristics of traditional dance, zhangzhou hua an gaoshan "pestle dance". In the long years, zhangzhou hua an gaoshan dorje "dance" on the basis of inherited inherent in the traditional culture, constantly absorbing the local cultural heritage and development and formation of the unique representative folk dance.In this article, through many times "field research" won the abundance of data, using literature analysis, field research method, morphological analysis, cultural interpretation and so on, at the same time with the help of a national dance, the dance ecology, history, religion, folklore research methods, in zhangzhou hua an gaoshan "pestle dance" as the research subject, trying to will "gaoshan" pestle dance "characteristics of art in its natural, social, ecological environment under the background of multidimensional comprehensive study, in search of cultural formation and its dance morphogenetic zhangzhou hua an gaoshan" pestle dance "of cultural heritage value and development.