Narrative Research On The TV Documentaiy Peking Opera

Nowadays, facing to impact of multi-cultural under a period of social transition,breeding more social psychological problem, result to identity crisis. So China society need more excellent traditional culture to reconstruct. "Peking Opera" as a the quintessence of Chinese culture, this documentary reflect interrelationship of artist’s living, vicissitude of country and change of time. It’s purpose to awaken social consciousness of the audience. But,after the documentary broadcasted, controversies has been coming up, especially in sound picture, professional and reality etc. My thesis deeply discussed three aspects by theoretical foundation of narratology,narrative language, construction and utterance. The purpose is that make a conclusion improve creativity of traditional culture.The thesis is constructed by three sections. The first is introduce, mainly expound research overview, background, significance, thinking way and methods etc.The conclusion is that Text Analytic approach and theory of comprehensive application applied in creativity of narratology research.Second two, analysed in narrative features of Peking Opera. The first feature is the foundation of narrative include natural story and man-made story. The second feature is poetic quality or flavor and affection of scene mixed with unique opera music result in strongly expressive force of art. The third feature is high-speed photography and super long lens express "realism" of pictures, get dynamic and static into the conception of "freehand brushwork". The fourth feature is combination of sound and picture, use feeling and setting happily blended to make poetic scene.The chapter four, deep culture has been seriously discussed. One, the masses and back to people’s plebification, the entertainment teach through lively activities and meet the cognitive need of fictionalizing. Two, illuminates the history of the word.Under the social and historical perspective, focusing on artists suffer changes,prominent figures in particular psychological survival circumstances and choices,Revealing the character destiny, the li yuan in wind and rain constitutive relation with time change. The unity of three kinds of relationships reflected in the character consciousness and the development of "Peking Opera", a rocky road to people to see the weight of history, and the rise and fall of "Peking Opera" with The times. Three,he pursuit of true beyond the true record of discourse. The director of a genuine experience of the "Peking Opera" is foundation of the truth. To the scene fit into theaudience psychological rationality and achieve real emotion. In the actual begets connect li yuan in wind and rain under the social and historical perspective and the characters fate, produce relate in the internal logic closely time and space. In the create artistic conception to pursuit of philosophy and even beyond, and Taste the infinite charm.The third section is conclusion. The root of debate about Peking Opera is contradiction between profession utterance and history utterance. audio-visual language and reality is embodied in performance. Peking Opera focused on art’s fate,popular and dramatization language mixed with space-time reality, close to audience psychological feeling, enlighten the audience cultural identity.