Real "Painting" Honest -Some Ideas About Graduation Creation

The observed in nature, sketch, collect material for writing. Sketch is the nature of, betw een the painter and nature of communication and reflection. It pay more attention to obj ective image in the eyes of the subject of \"projection\" and \"visual impression\", asked the heart naturally, has a more subjective interpretation of the meaning, not in the means to achieve the \"sketches\"of\"realistic\", not for the purpose of scientific reappearance objective reality. The creation of the lotus paintings don’t stay on the data of Chinese p ainting, but in the sketch found the visual form of aesthetic value, innovative organizatio n composition style, and strive to avoid drawing water lily is easy to enter the conceptu alization, visualization. Strange in our life, we must be good at finding novel compositio n form, cannot be confined to the predecessors of the ancients summed up the compositi on style, not stuffy in the studio behind closed doors, from the ancients present picture a lbum for \"life\". Whether old subjects or for the selection of new, are further observatio n and comprehension, grasp and fu in different indoor desk drawing improvisation, vivid, lively presence, reduce relying too much on the picture and form of visualization, conce ptualization, comply with realism to the scene to express the special environment of spec ial feelings, trying to find new viewpoint, the new expression, to present flower and-bird painting of angry, origins of vitality for creation of Chinese paintings.The theory of \"six method by xie he in southern dynasty put forward\" pen \"bone met hod, this is to give priority to with line modelling form incisive summary of Chinese pa inting. Er \"bone\" is the line with the core, the spirits of pen line by \"bone method\". In the lotus paintings, sketches, thread shape the objective image, not for the purpose of definition of contour lines, but through line with change, and simplified trade-offs to wr ite \"shape\" and\"god\". With lines convey the unique personal experience, personality 1 anguage.Colour is vital part of the painting creation, and the visual part of the fastest response. At the same time, is also the most can convey the artistic language of painter’s emotion, foil atmosphere and emotional appeal, in it works more intuitive and can accurately sha pe the visual subject and theme. The \"lotus paintings\" advocate colour is \"situation\" of the heart, is different from the traditional painting FuCai \"class\" of logos, it is not a s imple simulations of natural image, not repeat and reduction of natural colour, the colour of it is relying on the artistic conceptions of work and its composition of demand free from play, however.