Body Discourse And Female Writer Of The Novel Creation(1928-1937)

Body theory as a research hotspot both in the field of culture, philosophy or sociology has a high degree of attention, as a research hotspot, also means that a debate, dispute, and the existence of the counter. Modern woman writer in the process of creation, to the body as a starting point, with the help of women’s own body language, reflect in social politics, economy, culture and social environment at the same time show a woman own liberation of difficult and tortuous journey. Based on this, the writer of the 30 s body discourse studies, the improvement of the discourse theory to the body and the discourse of contemporary literary criticism is of great significance. In this paper, the interception of modern literature in this period in 1928-1937 as the cross section, to stand, and on the theory of body discourse from the perspective of longitudinal inspects the change of Chinese modern female body view, from the Angle of horizontal comparison writer different physical concept, the difference of the mining view the performance of the body, to reveal the cause of the body view, and then summarizes the ’30 s body discourse unique significance and value.Papers to the western theory of body writing, with 30 s in the form of the body consciousness of female writers, from the aspects of connotation, aesthetic experience and the creation subject three levels of women writers body theory, analyzes the literary creation and interpretation: from the aspect of connotation, the body has a class of enlightenment political culture meaning; From the aspects of aesthetic experience, and the body as an individual experience, is opposite integrity; From the gender consciousness, female writers body discourse creation is in a certain sense of male discourse rebellion, which is the Angle of the writing of this paper and logical framework.The first chapter from the theoretical level to the body theory, body language these two aspects are summarized, mainly include the following two aspects: the theory of western philosophy about the body and the body theory and the genetic relationship of Chinese modern literature. Of western philosophy is a must to discourse research body theorists theoretical viewpoint about body, this is the Chinese modern literature has the theoretical basis of body discourse; Body words are on the basis of the theory of body yan out of words, the body and the related literature, the body and writer close contact with the body of words in the modern literature to take place. Clarify the connotation of these two aspects is the logical starting point of 30 s female writer body discourse.The second chapter, from the development of Chinese modern literature context, carding on the consciousness of modern female writer of the body: the first part from the writer’s choice and social identity changed, with longitudinal Angle to examine and combing with enlightenment for the purpose of female consciousness gradually awakening process. The second part from the Angle of horizontal concrete analysis the body consciousness of female writers in the ’30 s mainly includes the physical tools and the body of neutralization and individuality three physical concept of the body.The third chapter into the 30 s writer of novels, analyze the writer’s text, writer discusses 30 s novel creation the body of the written word. From revolutionary discourse layer analysis of the female body shape of repression and discipline, including the thought idea, image appearance and behavior of the discipline. From the gender consciousness level analysis under the oppression of women in the patriarchal society itself by the desire of life appeal, discusses the female gender consciousness awakening and suffering physical and mental torture. By means of body language in the works of women writers, analysis of female writers in the 30 s body discourse representation behind the deeper cultural connotation value being presented.Novel writing in the fourth chapter of body discourse illustrates the types of art, points out that the female body discourse creation according to the different types of expression, the aesthetic form also presents different artistic representation: in the 30 s female under the influence of political discourse, female body writing presents the objective realistic realism creation principle; Women writers from their own gender consciousness, in the expression to the dreams of the beautiful love and tend to present a romantic; At the same time, the writer also pay attention to combining literary and aesthetic, present a subjective expression of inner psychological, reflect the aesthetic value orientation.The fifth chapter is about 30 s writer body discourse creation of inquiry and reflection, to explore the cause of the female body discourse and value. The sky is narrow, women from the male to the female, from politics to culture, the writer want to under the limited narrow space for themselves to earn a place, have to start from the individual experience, and "body" is the women’s the best way to explore the exposure of the meaning of life and individual experience, therefore, as a female body discourse of national discourse, male discourse against effective means, it is women use body language to resist against experience of literary history writing intention. At the same time in the 30 s the discourse of female body writing of constructive significance, reflect the unique value of the female writer body discourse and charm.