The Study Of Sanbaofspopuiar Music Composition Technique

The development of the Chinese pop music has been nearly one hundred years. Withthe development of the modern society, Chinese music also plays a more and more important roles. In China, the pop music has a close relationship between it and the transition of social culture, pop songs in our country has a unique social form, orientation and artistic connotation of popular music in the shades of direct impact on improving the national quality and social value concept. More and more professional composers actively involved in Chinese pop songs works, using various means of creation wrote many embody our national spirit and the aesthetic taste of the nation’s works.However, academicresearch onChinese pop musichas not formed a relatively complete theoretical system.Nowadays,pop music alsopay more attention to the "formalism",paying attention to the outside,ignoring the internal.Besides, under the blundering social environment to a certain degree,someone adds the unhealthy atmosphere to the pop music works and all kinds of "Divine Comedy" emerge in endlessly. Therefore,the creation of the Chinese pop music is still in an exploratory stage.In such a cultural environment, Sambao’s pop music composition with its rich sense of the times of the art features, majestic atmosphere of the charm, the characteristics of art songs touch people’s hearts.This paper takes the representative works of Sambao’s pop music songs as a starting point, focus on his writing pop songs creation thinking and creation.Through a simple combing to the development vein of Chinese pop songs, and find some contemporary Chinese popular songs in the creation of some defects in them, which leads to the analysis of Sambao in each period of creation the thought and the causes of formation, and on the analysis of the three treasures of art songs of popular song creation technique, summarizes the Sambao’s pop song creation technique some enlightenment to our country after the popular song creation. The author hope that they can know the related knowledge of theChinese pop songs through different perspectives enrich and deepen, and provided atheoretical system of a relatively systematic for the art of pop music creation.