On Liu Tianshi’s Piano Music Creation Technique And Performance Technique

The creation of Chinese piano music works started late,and has gone through the following five stages since its introduction: the exploration stage in the early 20 th century,the turning stage of development in the 3rd and 1940 s,the rapid development stage in 17 years after the founding of the people’s Republic of China,the slow development stage during the Cultural Revolution,and the rapid development stage since the reform and opening up.At the beginning of the 20 th century,the Peace March by Mr.Zhao Yuanren was the first piano piece in China,which marked the emergence of Chinese piano music.Early piano music creation,composers are mostly based on western piano music,to learn and imitate.20th century III In the decade,mr.zilpin held a competition for chinese-flavored piano music,and his representative work," shepherd boy piccolo ",showed the appearance of chinese-style piano music while achieving outstanding results.Chinese piano music is gradually jumping out of the pattern of western music and integrating a large number of elements of native music into the creation of music works.The object of this paper is the piano works of young composer Liu Tianshi.His thesis is divided into five parts: the first part is the introduction of Liu Tianshi’s music learning and creation process;the second part takes his works "Piano Concerto in e minor" and "Music moment" as examples,In the third part,the author analyzes the changes and references of the composer’s folk music material and the formation of his Lingnan music style.The fourth part analyzes the composer’s use and exploration of modern music techniques with the examples of "Crying Marry" and "The Implicit Dream ".The fifth part summarizes Liu Tianshi’s musical writing skills through the analysis of quoting materials,vocal style,musical structure and performance techniques.