Mo Yan The Film Adaptation Of The Novel

Under the impact of the commodity economy, the relationship between literature and film and television increasingly close, with the advent of the era of image, a large number of literary works have been adapted for film and television works. Good writers undoubtedly became the object of producers and directors are following, literary film adaptation has become a beautiful landscape. Many writers are aware of the literature and film and television under the interaction of objective economic interests, the writers began to frequent "electric shock". Mo yan as the winner of the Nobel Prize for literature, has always been what everybody rushed to research object, and now, for the film adaptation of the novel research still become system, so this article would like to make bold attempt on it.In the introduction part of this article has carried on the research on today about mo yan a summary, let the reader can have a ballpark knowledge of mo yan’s research, and the introduction of the present achievements do mo yan I were reviewed in this paper, which introduces the argument in this section.Article first chapter explores image era, the writer "have" to get an electric shock the inner and outer reasons, the present social environment, through the analysis of the main reader film adaptation of the strong demand for literary works, and the reason for the novel can be made into a film(writing style, writing style and creation concept) to explore the three aspects of the problem.The second chapter of viewpoints based on novels and movies in the language differences, novel dedicating to "text" as a symbol, and the film is to "image" as the external material carrier. This chapter attempts to mo yan were adapted from four films red sorghum, "white cotton", "white dog rope swing", the teacher is more and more humor, expounds the transformation of the novel to the film language art and encountered during the transformation performance on readers, works on the topic a series of problems.Novels in the third chapter to discuss the problem is made into a film, the emerging changes in the structure of the plot, and analyze the impact of the existence of such changes to the original. In this chapter, mainly from the movie "warm" red sorghum "white cotton, the change of the characters in the end to analyze several aspects, such as the change of the novel to the film in the structure of the plot, the reasons for this change and the impact of these changes to the original novel. Trying to find out novel and film properties of different characteristics.The fourth chapter, from the perspective of narrative analysis of mo yan’s novel film adaptation, from to the analysis of the characteristics of different nature in the film and novel adapted by mo yan are four red sorghum, the white dog rope swing the teacher more and more humor in white cotton the use of the technique such as narration, description, lyrical, and rhetorical devices, and so on with adaptation of the film between change and the different way of performance, to analyze the novel and film on the narrative and the difference of the different performance.Fifth chapter, from mo yan’s novel and original contrast research, to analyze the present novelists whether deep down in the face of film and literature should be combined with, how to combine the agony of feeling.Conclusion: based on the cinematic adaptation of mo yan’s novel is not the case, but the contemporary writers in the era of image is changed under a collective consciousness, in this paper, through the analysis research of mo yan film adaptation of the novel, the cinematic adaptation of mo yan’s novel the rich content, but also triggered in the film and television, under the tide of the contemporary writers will be how to survive a profound problem.