On Music Inner Hearing And Its Relationship With Solfeggio Teaching Embodied In The Practice

Inner musical is one of the main concerns of solfeggio, this paper summarized the present research situation of inner hearing in two perspectives of psychology and music education. Combining the principle of physiological and psychological mechanism, also explain what is the inner hearing and expounds its characteristics, also discuss the individual differences and phenomenon of the inner sense of hearing. Meanwhile the article also analyze the arguments in academic circles, as in solfeggio, especially training and application of sight-singing teaching to grasp (he basis of inner sense of hearing. The latter part of the paper elaborates in solfeggio in university education, training planning stage of Solfeggio teaching, as well as the concrete teaching example in good order some training and discusses how to establish the inner hearing, such as "hearing guide" as the pilot, a guide to carry out preparatory exercises in order to cultivate mode tonality, respiratory syntactic training etc.. Sensitivity to inspire students to music information. These examples are chosen from the Solfeggio teaching material, which also can been seen the editing of ideas of Solfeggio teaching based on the angle of inner musical audition, And the academic significance of ear is once again recognized...