Opera "Farewell To Cambridge” Analysis And Luxiaoman Mezzo-soprano Art Image

Opera as a comprehensive art, give priority to with singing, a blend of symphony, dance, drama and other forms, highly expressive force. The Florence, Italy, born in the 16 th and 17 th centuries after growing development, various countries gradually formed the various periods of various schools of different types of opera. To the development of the 20 th century 20 or 30 s to China, after Chinese opera and keep learning, and development. Opera "on leaving Cambridge" as the representative work of a small theater opera in the new period in China, created a precedent in the history of this form of opera in Chinese opera.Mezzo-soprano as a unique voice, since the 13 th and 14 th century polyphonic four-part produce, in the western steady development, and presents the growing trend, and contraltos in China’s development is not smooth, very little work for singing mezzo-soprano, and mezzo-soprano with supporting form mostly in Chinese opera. His best-known opera "is the role of lu xiaoman the mezzo-soprano mezzo-soprano real on the" first person "of Chinese opera actress.The introduction part mainly involves this paper discusses the main reason, background, the point of the reality, is put forward, the paper studies the necessity of and related people do some research before, and the research of this thesis research before, the relationship between stress the theme of this paper. This paper first through the development of opera history to introduce the formation and development of opera, and its development in China and other relevant information. Including the birth of opera, develop and grow, and so on and so forth, and the development of opera in China, especially in small theater opera come into China after the development. Second, will focus on introducing mezzo-soprano this particular parts of the relevant information. Mainly introduces the formationand development of mezzo-soprano and mezzo-soprano by supporting role to the leading role in the opera works of position shift, etc. The author hope that through the above introduction, can let the reader to mezzo-soprano and mezzo-soprano opera have a clear understanding on the macro, and have deep understanding on related domain knowledge. Then, the paper introduces the our country the first theater opera "on leaving Cambridge" related situation, including opera theme, content, etc., and provide the basic theory in this paper after knowledge. After this part is the key chapter of this paper. Mainly analyzes the mezzo-soprano opera "lu xiaoman" role. From the following four aspects: lu xiaoman’s artistic image, character image creation, character depicting and mezzo-soprano voice partition, the role of the aria singing and study analysis. The singing mezzo-soprano role as the "liu xiaoman" aria, for example, to analysis research. From aria ontology, to study the aria forget everything in the melody of music analysis and singing requirements; In combination with the author’s own experience, analysis of its experiences and feelings, better analysis and research, to experience the unique mezzo-soprano "lu xiaoman" role. Through two different singers on the character "lu xiaoman" deductive analysis of different versions to better lu xiaoman the character image. In the conclusion part, a distinctive voice mezzo-soprano opera developing into a new era in China today, how to be a face to show the charm of mezzo-soprano. The mezzo-soprano "luxiaoman" role is a very good example.