The Voice Shaping Of Mezzo Soprano In Mozart's Opera "Le Nozze Di Figaro" "Cosi Fan Tutte" "La Clemenza Di Tito" As An Example

The object of this paper is the research of Bel Canto performance art,and the research object is the role shaping and singing techniques of Mozart's alopone role.Wolfgang Amadeus Mozart,1756~1791,the great composer of Austria in the late eighteenth Century,is one of the main representatives of classical music.His main field in music creation is opera,and he composed 22 operas in his life.The selection of the three operas of "Cos fan Tutte","Le nozze di Figaro" and "La Clemenza di Tito" are the reasons for the study.It is not only an indispensable musical material in vocal music learning and teaching,but also some works are selected for singing in the major competitions."Non so piu cosa son","Voi Che sapete","Smanie implacabili","E amore un ladroncello","Parto,parto",are from the three operas of "Cos fan Tutte","Le nozze di Figaro" and "La Clemenza di Tito".This article is divided into three parts:Chapter one: Mozart and his opera creation.Mozart's Opera started from the age of 11.The earliest work was the opera "Apollo et Hyacinthus " for the University of Salzburg,the early works and the pastoral opera "Bastien und Bastienne",the Italy opera buffa "La Finta Semplice","Mitridate re di ponto".Among the more than 20 operas created by Mozart,the most representative include the Italy opera "Idomeneo","La Clemenza di Tito",the Italy opera buffa "Le nozze di Figaro","Don Giovanni","Così fan Tutte".German opera "Die Entführung aus dem Serail " ? "Die Entführung aus dem Serail".These works reflect Mozart's pursuit of opera in his whole life.The second chapter: the characteristics and singing skills of the three operas.From the comparison of the Mezzosoprano roles of these three operas,two of the three Mezzosoprano roles are found to play male roles.This kind of role arrangement has some historical reasons.In the era of Mozart,the understanding of the Mezzosoprano is in the process of gradual improvement.There was also a certain amount of work that played the role of the baritone in an unimportant role,just like the old woman in the history of the Mezzosoprano.Mozart's Mezzosoprano plays an important role.Among them,Sextus is an important role.One of the most important female soprano roles,Dorabella,is one of the leading roles,explaining that Mozart had begun to play an important role in the creation of the opera.The third chapter: the role characteristics of Mozart's alopone aria and the role shaping in singing.In Mozart's works,most of the female soprano needs extremely stable breath support and clear bite.In some jumps,quick sentences,and special rhythms,the singer keeps the best of the difficult paragraphs while keeping the state.In this process,there is no error in rhythm,nor can it change the position and state of sound.