From The Perspective Of "defamiliarization" Theory In The Fifth Generation Of Film Color Language

The Colour’s language is an indispensable element in the film art. Is also to be a filmmaker consciously to aesthetic image modelling to build a kind of special performance means, It not only in the films to show its storytelling narrative function, and has the image of multiple forms of symbolic meaning. In the 1980 s, the fifth generation of filmmakers in double reflection on the history and itself with the awakening of individual spirit, With free life personality constantly inject new elements for China film, especially in the present to the world beyond consciousness of the quadrature in the compasses in no longer Chinese films in the new period of historical change, In history, national heavy sorrow, self expression of the national cultural psychological structure, strong life fully reveal new period film texture. Based on China’s fifth generation of filmmakers this cultural phenomenon, its film color language, from the vision of "Defamiliarization" theory to explore its aesthetic value and significance, in the hope of the audience’s aesthetic expectation can come again from the dying image visual, bring the audience a more generous spirit to enjoy and aesthetic pleasure.