Schumann’s Fantasiest ü Cke Op. 73 Analysis And Performance Interpretation

Schumann is one of the leading figures in the nineteenth Century European romantic music,his numerous works, including works of piano and vocal divertimento is he famous works. His works is full of romantic, and have high research value. The "Fantasy Pieces" Op.73 writing in 1849 which is one of his few composition, this work is for A Clarinet and piano, also have been adapted to numerous instrumental version, enough to see the wide spread of. Because of his romantic feelings given lyricism and singing characteristic of this work, make it to become an independent school in the out of the ordinary style Clarinet Works series. Schumann’s work is not to the skills, Cantabile melody and poetic artistic conception is the reason why people like his music. In this paper, the author tries to interpret the body part of this work, Schumann find belongs to proprietary music language, and then according to their years of learning and clarinet playing experience, to perform on the interpretation of the entire work, in order to achieve the combination of theory and practice. This paper is divided into four chapters, the first chapter of introduction, is an overview of the research significance, the present situation, method and Schumann’s life and the creation background, second, three or four chapter three movements in music ontology analysis and performance interpretation. Ontology analysis part this paper through every movement is divided into three parts, the theme and the rhythm and tonality and harmony, structure and syntax are analyzed one by one, unique words of Schumann explained, each chapter of the fourth part interpretation part, combined with the analysis of some works of terms and expressions of ontology according to the author’s experience of playing, between the clarinet, piano playing and the cooperation between the two explanations, provides a new idea for the players playing this work.