Study On Parody Phenomenon Of Contemporary Photography Art

As the product of integrating science and technology with social culture, image art has been staying active on the historical stage of contemporary artistic development and playing an important role. It has been nearly 180 years of history since the beginning of artistic concept and artistic development of image art. During this process, scientific innovation centering on image technology, information transfer, creation of image culture-led artistic thought, concept conversion and breakthrough keep a large number of precious historical image works live on today as memory of everlasting moments with joint efforts of many image artists. Many excellent and classical image artistic works that are in accordance with various requirements of the times have vigorously promoted development and prosperity of social culture, literature and art in various historical periods. It can be said that as a burgeoning contemporary artistic form with special creative means and independent mode of thinking, it has further expanded timeliness, liveness and task characteristics of image art after it experienced the early stage of completing the function of time freezing record by replacing traditional means such as painting, thus making audiences of image art possess higher level aesthetic consciousness and deeper level social consciousness.As contemporary image art starts from the initial infancy, transformation development stage, prosperity and development stage to seek new breakthrough nowadays, it generates intense collision whether in behavior and consciousness of artistic creation, thoughts and emotion or concept and imagination, and people are trying to experience peculiar means of expression of image art through seeking a mode of cultural language. After deep excavation and reconstruction of knowledge system of traditional image art, bold attempt, renovation and breakthrough of contemporary image art and multiple times of doubt, controversy, denial and affirmation, contemporary image art has already had qualitative change and leap in form, means, consciousness and thoughts, making image art possess special sentimental value and social influence.This paper mainly centers on research on means of expression and treatment technique of rhetorical device of parody phenomenon in contemporary image art in specific representative works and also probes into artistic effect and value of parody means as well as its future posib9 ility in development of contemporary image art. Firstly, it further proposes to take the concept of “parody phenomenon of contemporary image art” as major research object on the basis of result of similar researches on application of parody in fields such as literature. This paper focuses on parody in image art, an operating mode with special narrative technique, linguistic style and audiences’ psychological identification mechanism level in a normal artistic form and makes an in-depth exploration of inherent attraction of intertextuality-led image creation means. According to relevant research contents, it states theory origin of concept of ancient parody, rheology of modern parody phenomenon in different chapters and centers upon of post-modern parody on empty collage or unique irony. It explores generating condition of parody in contemporary image art, namely relatively loose historical context, self-consciousness of creation subject and post-modern ideological trend permeation of parody, refers to generalization process of parody in contemporary image art, studies on fragmentation style structured by deconstruction and decentralization and de-essentialism anti-binary opposition theory. Last but not the least, it rethinks contemporary image art under parody consciousness and probes into diversified means of expression of important discourse strategy in transformation period and new breakthrough of sensorial and spiritual experience.