The Research Of The Original Music Of Oroqen

National music culture accumulation, constantly with the development of Chinese history and culture in the long history of development, and left a stunning art. Our country has entered a new era of multicultural common development, oroqen original music as an important part of Chinese national music is experiencing the western heterogeneous music culture and popular music culture such as the multiple impact of society, the inevitable passing on fracture, and other problems, although this accords with the objective law of development of music culture, but for national intangible cultural heritage in our country is still a huge loss, therefore, the protection of aboriginal music culture orogen and rescue is imperative, for the orogen provide certain theoretical basis for the protection of the ecological music work also is the important purpose of this article.The study of the original ecological culture is dependent on the minority people’s production and living, customs, etc., and the analysis of the original ecological music culture also needs to sociology, anthropology, aesthetics and so on the many kinds of Angle observation and discussion, study of aboriginal music culture of the ewenqi nationality for ethnic minorities in northeast China original culture research has important reference value. In this paper, based on the principle of combining theory and practice, always adhere to the concept of marxist materialism, combining research, integrated use of literature research, the induction summary, comparative research methods, such as the object of study on concrete is discussed. Through the analysis of the original music, and then the general situation of the nation and its original aboriginal music orogen was discussed, and the structure and function from the aspects such as form, melody of olunchun original music art characteristics were described in detail. Oroqen original music in the aesthetic, nationality, inheritance and educational aspects of positive significance to the society. For aboriginal music orogen survival and the development present situation, the article puts forward some countermeasures to aboriginal music oroqen cultural inheritance, the smooth realization of the national cultural heritage needs the joint efforts of many sided, need to keep on to inherit the national culture of self consciousness, the support of relevant government departments and the social from all walks of life value, and so on, the only interaction in many ways joint efforts of our national culture to obtain further development and prosperity.