Chinese Oil Painters In The 20th Century Style Formation And The Formation Of Chinese Oil Painting’s Nationalization

Ever since the moment the Chinese pen drawing oil painting, Chinese oil painting’s nationalization was under way, by the way, consciously or unconsciously. Because no matter what is drawn form or content, is from the hand of the Chinese, are more or less affected by its own national culture. The nationalization of Chinese oil painting from the Angle of the generalized says, it is referring to the 20th century Chinese oil painting in the localization in exploration, a fusion tendency." Therefore, Chinese oil painting nationalization is a combining traditional Chinese culture and western oil painting of a process. And in the development of Chinese painting, oil painting nationalization "is also ACTS as a very important one annulus.The author through the test of Chinese oil painting "nationalization" of the early practice results of carding, analysis all sorts of attitude formation and advocating the art of painting group, hope to be able to as far as possible reduction of numerous and complicated and colorful Chinese oil painting art style in the early 20th century. Early practice achievements of Chinese oil painting "nationalization" although colorful, but we could start with a simple classified into four stages. One, the early practice of overseas students. Second, the school of fine arts and art education. Three, "blossoming" west lake group. Fourth, realism and modern.Then aimed at the beginning of the 20th century Chinese oil painting nationalization of successful individuals on behalf of the analysis, xu beihong Lin Fengmian, liu haisu three artists. From their works, art, painting, technique of expression, as well as the living environment, etc., to demonstrate their successful implementation "oil painting nationalization" is based on the mature "personal style". Only to find a suitable own road of art, is the so-called "nationalization of oil painting" can be realized.