The Value Of The Theory Of Chinese Oil Painting Nationalization

In the course of Chinese oil painting in one hundred, oil painting nationalization is an attention topic. The development direction of Chinese oil painting 、nationalization and whether you need the nationalization of Chinese oil painting has always been all arguments. Currently, about oil painting nationalization of the works has a lot of, many famous theorists have proposed his own point of view, we view of oil painting nationalization also each are not identical. Xi-wen dong said: \ "in order to make him not always is a kind of exotic, in order to make him more rich rise, more the deeper love of the masses, in the future, we should not only continue to grasp the western of a variety of painting skills, play oil paintings of various performance, but also to absorb it, after digestion into his blood, that is to say, to make the external form of our Chinese nation, and is to make its have their own national style.\" For art, the only national, is the world. Therefore, the author thinks that the nationalization of Chinese oil painting is an inevitable trend. One hundred developing process of Chinese oil painting is in fact the development of Chinese oil painting nationalization process, is a constant blend in Chinese traditional culture in the oil painting process.Body, first of all, this paper discusses the background to the development of Chinese traditional painting and deduce from the traditional painting aesthetic habits, soil, and elaborates the three stages of development. Secondly, this paper discusses the national HuaEr an embodiment of the value orientation of Chinese oil painting, the first is the value of Chinese oil painting nationalization of Chinese cultural heritage, this paper discusses the Lin Fengmian and Ren Chuanwen artists such as oil painting and the combination of native culture and the Chinese oil painting nationalization manifest humanistic spirit and national culture inheritance and development of close contact. The second is the Chinese oil painting nationalization of the value of the original spirit of the Chinese nation, mainly discusses the innovation of artists such as wu guanzhong painting nationalization, as well as the Chinese oil painting to dig deeper into the personalized ecumenicalization of national language.