Exploration Of The Theoretical Concepts Of Contemporary Reportage

Chinese reportage is a kind of new style appeared in late nineteenth Century early twentieth Century, after more than a century of development, has made remarkable achievements. After the founding of China Reportage of prosperity and development of new, especially since entering the new era, appeared one after another report literary climax, the emergence of a large number of well-known works,marking the brilliant achievements in the innovation and development of contemporary literature. With the continuous development of the Reportage Creation Practice, the theoretical understanding of the stylistic characteristics and the value function is constantly changing, and the changes of the concept of this theory is in turn affect the development of creative practice.The report literature as a new genre, the dual characteristics of both the news and the literature. The main idea of the theory is concerned, one is the literature of "authenticity";the two is the report of literature of the "literary" problem; three is the value function of the reportage. For a long time, especially since the new period, our understanding of this special style of the reportage characteristic has been controversial, the formation of the concept has different. This paper tries to research on the literary circles around these issues to discuss the situation of carding and analysis, so as to deepen the understanding of these issues in theory. The main part of the thesis is divided into three chapters to study and explore.The first chapter mainly explores the reportage of the "real" problem. Reportage "authenticity" is the first from the style of news of the characteristics, the first concern is the authenticity of the news of it. With the characteristics of literary reportage as more and more attention, and then put forward the "Literature" of the problem, which brings the debate on "the authenticity of the news" and "Literature" of the relationship between the two. With the further development of creative practice, from "the literaryauthenticity", and further extended to the discussion of "real life" and "true nature",marks the "authenticity" of Reportage in the theoretical understanding of the deepening.The second chapter mainly explores the reportage of the "literary" problem.Reportage "Literature" is the first focus on it as a literary point of view put forward,reportage since is a kind of literary style, then of course should pay attention to the literature ".This of course has also brought about the reportage of the "news" and"Literature" of the relationship, and the characteristics of the reportage "literariness",such as fiction, to imagine how, typical of the understanding of the problem. This literature also launched a number of disputes, so as to deepen the understanding of reportage "literariness" theory.The third chapter mainly discusses the value functions of the reportage. This problem is clearly by this style of reportage has characteristics of both the news and the literature particularity, and its close relationship with society. Because of the particularity of this kind of literary style, it often has a prominent news function and aesthetic function, sing the praises of function and critical function, constitute a more complex relationship between the. With the development of the reportage in the different historical period, the value and function of it is also often have different emphases, literature also continue to debate, to deepen the understanding of this theory in the debate.In today’s report literature is facing questions and challenges under the background of the times, study on the stylistic characteristics of reportage to inspect the situation, especially the evolution of its concept, thus deepening the understanding of the report style characteristic and value function of literature, for all sorts of questions and challenges facing contemporary reportage, it has positive significance to promote the prosperity and development of the reportage.