Research On The Change Of Reportage Of Yan’an Literature And Art During The Anti-Japanese War(1937-1945)

The change of Yan’an reportage during the Anti-Japanese War(1937—1945)is a significant literary event in the of history Chinese modern literature.It records and depicts the historical change of Yan’an literature and art during the Anti-Japanese War,and links the inner texture of contemporary and "Seventeen Years" literature.However,the majority of relevant academic research has failed to pay attention to and inspect the "site",as well as to fully explore the wealth and complexity of cultural information contained in the change of Yan’an reportage during the Anti-Japanese War,resulting in some superficial and superficial views.As a result,it is necessary to return to the historical setting of Yan’an reportage change during the Anti-Japanese War,strive to restore the reporting’s original appearance,and re—evaluate its literary historical significance and limits in light of historical data.This thesis examines modern media,literary activities,and creative practice through the lens of the change of Yan’an reportage before and after the Anti-Japanese War period,and analyzes the various literary forces at work in the literary discourse field of Yan’an during the Anti-Japanese War.Investigate the numerous causes behind Yan’an reportage’s change during the Anti-Japanese War,and re—evaluate its significance in the history of literature and art,as well as reflect on its historical constraints in the historical retrospective.The introduction part mainly explains the reason and value of the topic,analyzes the research status of "Yan’an reportage during the Anti-Japanese War",and expounds the research scope and research methods of this thesis,and traces the historical process of the change of Yan’an reportage during the Anti-Japanese War.The first chapter focuses on the historical context of Yan’an reportage during the Anti-Japanese War prior to the "Direction of Yan’an literature and art"(1937—1945),that is,using Modern literary journals such as "Wenyi Tuji" "Wenyi Zhanxian" "Dazhong Wenyi" "Jiefang",and other modern journals to analyze the production and dissemination of Yan’an reportage during the Anti-Japanese War’s early period(1937—1945),in conjunction with literary organizations and mass literary activities such as the "Literature and Art Group" and the "Zhou Literary Academy," to investigate the organizational tactics of Yan’an journalism during the Anti-Japanese War before the "Direction of Yan’an literature and art".And,combined with the interpretation of the creative practice of the creative subject,demonstrates the diverse development patterns and facets of Yan’an reportage prior to the "Direction of Yan’an literature and art".The second chapter focuses on the historical context following the "Direction of Yan’an literature and art" of Yan’an reportage during the Anti-Japanese War(1942—1945),examining the responses to the "Direction of Yan’an literature and art" from various standpoints and perspectives,with a particular emphasis on the role and evolution of "Jiefang Daily".Additionally,it examines the activation and application of folk literature resources by Yan’an reportage following the "Direction of Yan’an literature and art",illuminating the creative direction of Yan’an reportage.It also examines the performance of Yan’an reportage,and analyzes the development trend and historical characteristics of reportage in Yan’an during the "Direction of Yan’an literature and art" period following the Anti-Japanese War,as well as the turn of its literary imagination via the lens of the reportage production and writing mechanisms.The third chapter focuses on the causes for Yan’an’s change in reportage during the Anti-Japanese War.By examining the shifts in cultural people’s attitudes about reporting,in conjunction with "deepening life," the construction of "learn" system,and the "new writing style",to examine the control and control of "Direction of Yan’an literature and art" on Yan’an reportage.Simultaneously,this thesis analyzes the changes in subject status and experience that occurred during the change of Yan’an reportage during the Anti-Japanese War,and presents a multi-dimensional and multi-level presentation of the multiple discourse forces that intertwined during the change of Yan’an reportage,as well as a thorough examination of the reasons for the change of Yan’an reportage during the Anti-Japanese War.The fourth chapter focuses on the "call-mobilization" mechanism and the development traces of "restoration of reality" in order to re-evaluate the practical and literary historical significance of the change of Yan’an reportage during the Anti-Japanese War,and reflect on historical limits such as sloganization and assimilation of reportage.The conclusion section concentrates on the historical backdrop of Yan’an reportage during the Anti-Japanese War from a literary history viewpoint,and re—examines the literary historical significance and enlightenment of the change of Yan’an reportage during the Anti-Japanese War.