The Buddhism Has Confucian Form And Art Thinking

National musical instrument Pipa as king, in China has two thousand years of history of inheritance. In half a century, music gradually toward internationalization, diversification, in order to meet the aesthetic requirements of the masses and spiritual needs, music in the continuous expansion of its inspiration and field. This paper attempts to religious articles of Mr. Liu Dehai leader of today’s world of the creation of "Pipa" (including the "white horse","drop a Buddism goodness Guanyin carried by", "happy", "taste" Lohan sunset) four songsfrom the analysis of the creation background, sampling, analysis of the works, performance skills and other aspects, to explore the fusion of Pipa culture and religious culture of this new attempt.From the start with the pipa repertoire, basic performance method as the foundation, in Buddhism, Confucianism, Taoism philosophy for inspiration, analysis of Mr. Liu Dehai in the creation of the starting point and the one’s own knack in, and the relationship between his idea of religion and music. In order to help the player to have a new understanding of Pipa playing. This time the works represent him a new life, with philosophy thought andaesthetics of music aesthetic art, is a sublimation of creation.The full text is composed of the abstract, introduction and three chapters and the conclusion of several parts. The introduction is the summary of discussions on research,explain the research direction and clues. The first chapter from Liu Dehai himself andbegan work summary, mainly described Mr. Liu Dehai’s experience and the contemporary music culture and religious culture fusion. The second chapter mainly wrote four pieces of music creation and its religious elements. The third chapter "religious discourse" write from the comparison based melody, fingering technique, create meaning and traditional Pipasong transplantation. Effect of conclusion wrote Mr. Liu Dehai to the pipa art development.