Study On Landscape Painting Copy And Innovation Of Wang Hui

Yet the ancient Chinese painting tendency, has become common practice in the Tang Dynasty. "Old-fashioned" painting is not only stick to the concept of time, even a manifestation of artistic aesthetic during Song and Yuan. Ming and Qing Dynasties, the understanding of "ancient" not only aesthetic, but also includes conception of ancient painting, composition permissive, pen and ink style, specific skills and learn. Advocating traditional paintings of this period, they express love for traditional painting and expand their aesthetic through imitation.In this paper, Wang Hui of four wangs is the entry point. Four Wangs, a titile given for four prestigious painters sharing the same surname ’Wang’and what is the most important painter after Dong qichang. But Wang Hui‘s style is more special than others.He is a painter who imitated to find his own path of innovation. Founder of the of Yushan,Wang Hui exquisite antique ink become a master of landscape painting. Firstly, this paper is based on the imitation and innovation of his landscape painting. Secondly, I will resolute his type of imitation. Finally, the point of this paper is the relationship between the imitation and innovation. Many of Wang Hui’s works were temporary ancients imitation works, and imitated type include imitated and adaptive. Wang Hui imitation of works can not be thought temporary imitation, but the outstanding works of ancient paintings digestion and inheritance,and it also lays the foundation for the later period of innovation.When Wang Hui was from imitation time to self-innovation,he also summed up the painting theory. The relationship between Wang Huilin imitation and the artistic style, mainly due to Wang Hui learn creative paiting and formed a unique style then combined with his works. The view of aesthetic value, this unique style is a great innovation. However,it is worth to considering that relationship between imitation and innovation.