Gender And Narrative-Yan Geling Film Adaptation Studies

In recent years, the creation of contemporary writer Yan Geling respected by all parties, is the representative figure of overseas Chinese literature, not only we see an excellent work, also won several literary awards at home and abroad. In addition, his works are a large number of directors to the film and television screen, not only achieved good reputation and ratings at the box office, also some of the film and television awards.However, when I will be Yan Geling’s works and after the film for two phase contrast, found that already exists in the female consciousness in the works is digestion, intentionally or unintentionally; The author embarks from the female perspective on the sidelines of the group of women are male perspective peep replaced; With female individual ups and downs in the history of spring as the theme of the novel, under the authority of the male discourse interpretation is writing to replace the traditional mainstream. Based on the Yan Geling novel text adapted for film and text as the research object, mainly discusses Yan Geling feminine traits, the projection of overseas status in the work, from the relationship between characters, plot, narrative perspective, the respect such as theme research in the hands of a different adapter, works from novel to film the shift, and these changes in social, cultural and other reasons.This paper in the introduction part introduces the Yan Geling works related to the film and television creation and adaptation, and analysis of the current domestic adaptation of his work to research present situation and the academic evaluation; The first chapter deals with the related theory of this thesis, The second chapter analysis “Siao Yu”, “The Flowers Of War” and “Coming Home” of three films adaptation, this paper discusses the novel in the process of adaptation, themes, narrative perspective and female consciousness because creators gender caused by many different change; The third chapter analyzes Yan Geling immigration status on its creation, Sylvia chang, director Zhang Yimou in the second creation of cultural thinking, explore the social and cultural reasons behind such adaptation.