The Acoustic Characteristics Of The Curved Musical Performances Oral Culture Of Analysis

Contents and forms of the Tibetan folk song singing style and a record of all aspects of social life in Tibet. And ma qu read musical performances on the creation form, played song has a long history, strong representative of two songs in "m ake class" and "song of a wanderer" as the research object; pure and good humanistic value, and good at art character.1 played song has a long history, strong representative of two songs in "m ake class" and "song of a wanderer" as the research object; with ma qu played song has a long history, strong representative of two songs in "m ake class" and "song of a wanderer" as the research object; Acoustic analysis software using the recording software Audition 1.5, Praat, mixer, clip the microphone recording, played song has a long history, strong representative of two songs in "m ake class" and "song of a wanderer" as the research object; After the recording speech signal save format WAV.2. after the end of the recording preservation, based on the melody characteristic in the different period of time, to record the speech marking and segmentation.3.. after the end of the recording preservation, based on the melody characteristic in the different period of time, to record the speech marking and segmentation. on the whole, the two played songs on the energy of the words, phrases, image is drawn by using excel spreadsheet and forms, used in the acoustic characteristics of the curved musical performances oral folk culture of analysis.4. this paper USES the method of experimental phonetics research to the rhythm of the song playing oral culture and acoustic characteristics are analyzed in detail. For the protection and inheritance of the song playing of bedding, also for the future of Tibetan language phonetics synthesis and recognition laid a theoretical basis.