Aesthetic Analysis Of The Narrative Angle In Dream Of The Red Chamber By "View The Small From Grand Angle"

As the key perspective feature of traditional Chinese painting of mountainsand waters,”View the Small from Grand Angle” implicit not only the contrastbetween the large and small observation of objects from marcroscopic andmicrocosmic watching but also the reflections of Chinese traditional culture spiritsin paintings.”View the Small from Grand Angle” aims at the surpassing thedetailed objects and realize the reserching and watching of the invisible, abstractand infinite “Tao”, by which we can try to grasp the concept of the universe.”Viewthe Small from Grand Angle” is characterized by opening, duality and flowing.”View the small from Grand Angle” is not only the technical method in paintingof mountains and waters, but also a way of thinking which have all kinds ofconnections with traditional cultural gene.Bearing the big anticipation in artist’sheart,”View the small from Grand Angle” shows itself in paintings, poems andnovels. Contrasted by paintings, novels is not so intuitive, but the effects relatewith feature, story and circumstances. By the analysis and research in the respect,we can not only get the application characters and value, but also can review theour psychology of traditional aesthetics as well as it’s source.As the great works of our classic novel, Dream of the Red Chamberrepresents a aritisic effect of grand view and great concentration by”View thesmall from Grand Angle”. This article will try to combine the”view small from grandangle” with details reading and analysis of the context in order to reach the dualpurpose of interpretation of theory by text and also observation and explanation oftext by”View the small from Grand Angle”.