The Death Consciousness Of Chi Zijian’s Novel Aesthetic Interpretation

Chi Zijian as a writer of the north polar region after Xiao Hong, with its unique and exquisite brushwork describes in her literary world of the meaning of life, death is not the end of life, but another form of accompanied her to death, put on the "love" and "warm" coat.Death accidental disease, disaster described in Chi Zijian’s novel, but also the inevitable end of samsara, plain yet warm words out people in the face of death by accident when the nostalgia and affection, the goodness of human nature shine; old people to face the death of this Law of nature that calm calm the attitude of people on the death of a word is no longer the fear and sorrow. It can be said that good warmth is Chi Zijian’s consistent literary proposition. At the same time, her life is become an independent school of the toughness of mining.Used aesthetic theory combining the method of close reading, to interpret the works of Chi zijian’s novel, is divided into three parts: First chapter main is through on Chi Zijian’s novels death description of antibody, will divided into accidentally and must two species way, from death of accidentally and must two a dimension degrees summary out Chi Zijian’s description death actually is in search does not with death and lost of love; second chapter is using aesthetics related theory from images, and mood, and tragedy, and noble several aspects interpretation Chi Zijian’s novels in the of death consciousness; third chapter is this based shàng analysis Chi Zijian’s persistent writing death of value, death is not truculent, it is another a form of life continued, is a manifestation of human kindness.