The Aesthetics Ideology Of Marx’s "Paris Manuscripts" And Its Contemporary Value

"Paris manuscripts" is a very important document in the history of Philosophy,and also in the transitional period from modern metaphysics to practice the existence. The importance of this document lies in that in this literature Marx stands in Feuerbach’s philosophical to finish the criticism of Hegel’s philosophy of spirit, and discover the reasonable core of Hegel’s philosophical dialectics. At the same time, Marx criticizes Feuerbach’s intuitive philosophy for the lack of dialectics activities. On the basis of the Feuerbach perceptual intuition theory and theory of self-awareness activities of German classical philosophy, Marx proposes the "perceptual object activity" theory, believing that human existence is rooted in the perceptual world. Pulling people from the abstract self conscious heaven back to the secular world, and finding a solid foundation for human existence have opened a new era of the development of Philosophy.Since the successful transformation of "Paris manuscripts" philosophical perspective, German classic aesthetics enjoys a great development. In "Paris manuscripts", Marx truly finishes the aesthetic transformation. The aesthetics is pulled from the abstract, self consciousness back to the real human state. It is believed the aesthetics must be based on perceptual objective activity of human. For this reason, Marx about the essence of beauty is no longer a metaphysical philosophical questioning, It Is In the practice ontology philosophy of understanding. Consider that the Beauty was created in the practice of the sensible and objective activity; Consider that the realization must be done through the continuous development of social labor; Consider that law of beauty problem only through the perspective of the relationship between the activity of objective to get the correct understanding. "Paris manuscripts" implements the transformation of metaphysical classical aesthetics to the ontology practice aesthetics, It Is about the interpretation mode of binary opposition between subject and object of beauty, Is the real return of beauty to the people. "Manuscript" aesthetic thought is the theoretical source for the development of contemporary Chinese marxist aesthetics, The manuscripts also provides for the development of contemporary aesthetics ontology philosophy view, The manuscripts also provides the basic research paradigm for contemporary aesthetic research. "Paris manuscripts" aesthetic thoughts still has important theoretical value for the development of contemporary Chinese marxist aesthetics.