From The Point Of Taste And Conception Theory, Looking At The In Teresting Chinese Classical Aesthetics Metaphysics

Chinese classical aesthetics is influenced by Taoist philosophy, forming Chinese classical aesthetics respected tradition of metaphysical thought. Metaphysical thinking has a very significant role in the development of Chinese classical aesthetics, so that by understanding the meaning of Chinese classical aesthetics in order to grasp the purport of metaphysical aesthetics. In this paper, the history and theory of the formation of taste says connotation and artistic conception to be discussed separately, for reflecting the metaphysical purport of Chinese classical aesthetics.The full text is divided into six sections:The first part is an introduction. There is a brief modern research on status and mood on taste, which are two very important areas in Chinese classical aesthetics, influencing throughout the development of the entire Chinese classical aesthetics. Secondly, as these two categories of Chinese metaphysical aesthetics purport entrance, ideas and research to clarify the meaning of the article.The second part is the philosophical basis of metaphysical aesthetics, mainly on Taoist philosophy and explaining why Taoist philosophy can smoothly lead to aesthetics, making the Chinese classical aesthetics with the pursuit of metaphysical aesthetic experience under its influence.The third part is the taste formation of history. This chapter has two layers, the first layer will write the origin and development process, in accordance with the historical discourse order from the Qin and Han to the Wei and Jin described the taste of a master Zhong Rong. The second layer is formed to write mature taste, appearance flavor theory. Charm say makes the emergence of "taste" with the original concept of metaphysical experience physiological basis of fully evolved into a category with a metaphysical aesthetic purport.The fourth part is telling the history of the mood. This chapter is divided into two parts. First is the theory of the origins of mood, and three ideological origins from the influence of Zen Buddhism and the mood on the mood of the theory, as well as the theoretical conception theory. The second part of the development process of conception theory, from Wang Changling "Poetry has three borders" to the development of the theory of conception and mature later.The fifth part is about theoretical connotation taste and mood on its metaphysical purport. This chapter discusses the taste of each theoretical content and metaphysical theories purport connotation and artistic conception of its metaphysical purport to jointly reflect on the nature of the universe of Chinese aesthetics "Tao", pursing nothingness and infinity advocating and vitality pursue, namely the pursuit of a Chinese classical aesthetics words. They are intended to do infinite realm of life.The last part of a comprehensive research summarized in this article.