The Efforts Of The Narrative Construction And Embarrassment In The Times Change And Self-adaptation

Shen Congwen’s novel creation in the 1940 s is an important content of Shen Congwen’s literature world. And it is an integral part to overall grasp of the whole creation course to the researchers. The main content of the Shen Congwen’s novel creation in the 1940 s is made up of the following aspects: The first part is the novels that built around of the Anti-Japanese War; the second is the love narrative of the intellectuals; the third is performance again of the world of Xiang xi.With the outbreak of Anti-Japanese War, as a writer who has a strong sense of responsibility and National consciousness, Shen Congwen has changed the orientation, which is previous to the era mainstream practice. In the “Yun lu movement”,“The king sister-in-law”, “The township city”and other works, Shen Congwen gave the attention and performance on the era mainstream and the reality of the war of resistance against Japan, which as a reason to wedge himself into the way of The Times. In the context of national Anti-Japanese War and national self-reliance, Shen Congwen tried to change the basic set of opposition and conflict of “city”-“township”, “the city”-“hillbilly” two civilization and life forms. And to digest, both rural and urban, urban and rural in “simultaneous corresponding and sympathies”, which will produce a strong resistance. The novels constructed the integrated world of urban and rural communication. But when he adjusts himself, do what he wants to do. His “hometown city-opposites” aesthetic psychological set make them unable to achieve this purpose. The narrative build eventually translate into “hometown city- diaphragm” state.War situation grim and transformation in the present context, which let Shen Congwen’s novels show of mainstream and the war of resistance against time. But as a writer “who have no faith but only faith ’life’”, Shen Congwen hasn’t stopped its“life”and“beauty”of thinking and exploration. This kind of thinking and exploration embodied in lust narrative the main body of the novel. The emergence of the novel of “recorded stars”, “Stars·green dream”, “See rainbow record” and so on,which marks the return of lust narration on Shen congwen’s novel. In this period, lust narration not only changes in the specific content, but also present in the aesthetic domain to meaningfully. “Recorded stars” is writing the body with mixed and secular life in opposition to the conflict of laws of conflict.“Stars·green dream” is to performance the crazy love,which get rid of the secular bias in actual law. “See rainbow record” is put love in the life and the life, concrete and abstract, phenomenon and essence, rich and full of tension mechanism of to create a poetic expression and affectionate gaze, let “‘god ’in our life” intention to obtain the fully open. The emergence of these works show that Shen congwen divine love and life to the body of thinking and expression has been increasingly deepened, let us see the Shen congwen later new qualitative and window of lust narration, and it is also his pursuit of a higher better lust narration of the land.However, let a person feel very not sigh is Shen congwen Syria on exploration of lust narration new condition but because it can’t be understood and make the author plunged into a “write anything bad” awkward situation. Then, in the time meeting and good retribution, Shen returned to the “Xiang xi”. Returning to the “Xiang xi” and writing “Xiang xi”, become the choice of Shen to get rid of the pain and embarrassment directly. But as the era of transformation, the writer’s emotion psychology, status, and cognitive rationality and value judgment factors changed, such as Shen Congwen the “Countryman” became “the other” in hometown. He had on the “Xiang xi” gentle and honest and sincere emotional and the rational increasingly clear bound folder. In “The fine snow ”, “Red Yan”, “Qiao xiu and Dong sheng”, “Legend and not strange” and so on “Snow shine” series of works, Shen Congwen expression the beauty of nature and simplicity of folk customs, and can’t forget the human ignorance and violence; In performance to the impact of the village social unrest and changes of time, and cannot meet the social and historical perspective; Want to stay in the mountain village bucolic aesthetic appeal, and can’t forget the cruelty of reality and serious; In the performance of life solemn and holy, and can’t dispel fear of fate to bow…… Reality and history, human and nature, society and culture, figurative and abstract, legend and not strange, accidental and circulation, phase noise while the compatibility and consistency while making rushed to gather in the works. Shen want to integrate them with melting perturbation, want to set them in a historically deep, there are both pastoral sentiment and billow is “love” and “beauty” tone of life has its reality and cutting depth that humanity has a vision of the abstract summons and from concrete aesthetic state of real life, but the intention is not fully implemented and deployed.