Wang Jianmin Studied Five Guzheng Works

Gu Zheng The zither as national musical instrument in China. It has two thousand years of history. Zheng has been rooted in Chinese traditional culture soil, which can not only reflect a trend of the times; it can fully show a nation, an era of culture. With the continuous development of society, people’s living standard continues to improve, people’s aesthetic demand of art changes and improve. In order to adapt to the new era of aesthetic culture and people’s aesthetic taste, the composer in the creation of national instrumental music, not only to retain the traditional folk music of outstanding cultural achievements, but also absorb and learn from foreign composition techniques, forming a form of national musical instruments, new techniques, new artistic features. Mr. Wang Jianmin as a leader in China contemporary composers, wrote a large number of various genres of music, especially in the national music creation is its unique performance means, become an independent school in many composers, as around twenty-first Century national instrumental music art pioneer and leader of. Wang Jianmin not only created the "Erhu Rhapsody", "Tianshan style"(erhu and Orchestra), "four seasons glimpse"(Clarinet and Piano), and created a lot of works of "midnight bells" Guzheng(zither and Piano), "Fantasia" and so on, Wang Jianmin is China’s outstanding contributions in contemporary in the field of folk music composer and educator. Wang Jianmin guzheng works from the theme and vocabulary selection, arrangement mode scale, reasonable structure, are highly personal characteristics. This paper selects five Guzheng music "Wang Jianmin Blanc", "play", "fantasy", "Lotus", "Western Capriccio", trying to do a single track through horizontal analysis of the five firstguzheng works and longitudinal comparison of five tracks, and the creation characteristic analysis of Mr. Wang Jianmin’s first five Zheng works, Mr. Wang Jianmin summarized five guzheng works of the characteristics for the later help to enlightenment.This paper consists of introduction, the first chapter of Wang Jianmin’s five works of guzheng and chapter second Wang Jianmin five firstguzheng melody unfolds in Chapter third, Wang Jianmin five firstguzheng works mode research, the fourth chapter of Wang Jianmin’s five works of Zheng structure analysis, chapter fifth of Wang Jianmin’s five works of Guzheng playing techniques. The introduction, this chapter will focus on the study of various types of works of Wang Jianmin Zheng to analyze, summarize, in order to find the innovation point of this paper, the breakthrough point. The first chapter, Wang Jianmin five firstguzheng theme research, this paper selected five firstguzheng works in Mr. Wang Jianmin’s creation is very typical and the theme of Zheng works are inconsistent, so this paper will be on the theme of each of these five works are briefly introduced first. The second chapter, Wang Jianmin five Zheng works of music technique research, this chapter will focus on the analysis of the selected five pieces of repeat mode into, texture, and motivation through developing techniques. The third chapter, Wang Jianmin five firstguzheng works mode research, this chapter from the traditional guzheng mode arrangement began, then detail of Mr. Wang Jianmin’s five firstguzheng work mode layout, scale and arrangement of the modulation technique, which is the focus of this paper. The fourth chapter, Wang Jianmin five firstguzheng works structure, analyze the structure of this paper in the selected five guzheng works, not only from the traditional single China structure analysis, also can not be discussed in accordance with the Western musical structure, and should be Chinese traditional structure and combination of Western musical form and. This is the difficulty of this paper. The fifth chapter, the playing techniques of Wang Jianmin five guzheng works, this chapter from the traditional performing techniques of the introduction of successive analysis on Application of modern guzheng techniques of Wang Jianmin five guzheng works, such as our bombs, hit the left hand piano techniques and so on. Through the study of Wang Jianmin’s five guzheng works, especially the tonality layout, scale tuning in staff and system control analysis, music structure Chinese traditional structure and Western musical structure combined to the theoretical basis but not learning guzheng lovers, seeking to be of some help.