Traditional Chinese Painting Composition Compared With Planar Format Design Analysis

Preliminary Analysis of Chinese painting and graphic layout composition, was found between the two are inextricably intertwined. In this paper, based on a more thorough discussion expanded study to explore both the similarities and differences in the composition in the form of contact, thereby forming a creation theory and practice to guide the creation, in order to achieve the goal of improving the picture aesthetic tastes and enhance the character of the layout plane for China Modern graphic layout design provide useful supplies. Firstly, the concept of the two makes a brief overview. Secondly, the four aspects of the way of thinking of Chinese Painting Composition respectively typography and graphic design, functional purpose, in the form of rules and performance practices carried out a detailed comparative study. Comparison of contrast with the ways and means to carry out the thesis, it is also based on mutual comparison and learning from each other reason, we expect to have a certain significance for modern graphic layout design by patterning Characteristics of Chinese painting. Finally, conclusions further elaborated modern graphic layout design skills can learn composition and form of Chinese painting, Chinese take long painting to fill the gap plane layout of the layout design. In the plane layout design or creative work, it is possible to create the development needs of the times, full of personality and the pursuit of aesthetic character, but also have Chinese traditional arts and cultural heritage, highlighting the national art features.