A Study Of Qian Shaowu’s Sculpture Language

With Liu Kaiqu, Wang Linyi, such as slide Tian You college art settlers known as the first generation of sculptors of the 20 th century, they are the most representative work is the monument to the people’s heroes on the relief work, they work opened a new chapter of Chinese sculpture. Their creation is the feature of thematic statues and monuments, sculptures, they are a generation of western sculpture is introduced to China, they laid a solid foundation for China’s college sculpture. As successors Qian Shaowu is the first generation of sculptors, such as students, is called \"the second generation of sculptors of the 20 th century. Their experience is rich, the basic knowledge of learning is, before the founding of the school education after the founding of new China, the period of art education and the first generation is not the same. Take the learning experience, for example, Qian Shaowu Qian Shaowu accepted national Yi Zhuan(central academy of fine arts) after the academic system of learning and in the former Soviet union repin academy of fine arts of learning for six years, and then to Chinese folk sculpture conducted in-depth study and research. Due to the particularity of the political environment at that time a generation of the creation of the sculptor was only a tool of propaganda, creative mode single so that this generation of sculptors gradually lost his artistic consciousness. This is caused by social environment at that time, make this generation of artists can not be independent thinking art ontology. Qian Shaowu earlier aware of the existence of the problem and the problem of the seriousness of gradually from the model on creation, seek belongs to own the road of art. This we can see from the Qian Shaowu sculptures. Qian Shaowu early works \"the song of the big road\" is a theme works, \"du fu\", later, to the later \"li dazhao memorial as\", as well as the poetry, the present paper arrives at an inter pretation changing on Qian Shaowu sculpture creation. This change is enormous, from the beginning of realistic expression gradually into the expression of freehand brushwork, feel performance characters from the history of performance characters of the transition of the sense of culture, such a shift makes Qian Shaowu sculpture art has the properties of fly.Qian Shaowu \ "li dazhao memorial as\" is the most representative works, \ "li dazhao memorial as\" fully absorb the essence of Chinese traditional sculpture art, and combine with western sculpture, both western sculpture of the solid realistic foundation of basic skills, and expressed the atmosphere of Chinese traditional sculpture and plain, formed a unique artistic language. \ "Li dazhao memorial as\" fully reflects the Qian Shaowu understanding and the understanding of traditional sculpture, also reflected the Qian Shaowu solid basic skills of western realistic sculpture, which make people can not help but think of Qian Shaowu entire a solo career. The era of the social background, the artist’s upbringing, culture, and the spirit of innovation and so on are all necessary for an artist.Published by the world of the university of Cambridge, UK, who included Qian Shaowu name for many times, the United States, Japan, Singapore and some eastern European countries and regions such as Hong Kong successively invited him to the lecture, and there are a lot of countries and regions of the newspapers and magazines, to report to his artistic achievements, Qian Shaowu gradually recognized by the world of art.This article through to Qian Shaowu according to experience of investigation and research, combining Qian Shaowu do some in-depth study in detail the characteristics of the representative works, and his \ "li dazhao memorial as\" and then discusses Qian Shaowu artistic style formation of cause, looking for his sculpture language and the formation of artistic style and the inner link between artists.