The Creation Of Mo Yan’s Novels From The Perspective Of Folk Custom

Mo Yan, as one of the most focused strength writers in contemporary Chinese literary, had became a shining star in the literary arena by his unique visual and sensory language, Many aspects such as characters, language features, and creation psychology can be used to research Mo Yan’s work, especially since Mo won the Nobel Prize for Literature; there come Mo Yan research booms one after another at home and abroad. As a native rural writer who dropped out of elementary school, Mo Yan rooted in his loved and hated Norheast Gaomi Township, at the same time added his own imagination to draw the pure natural folk pictures with unrestrained passion on after another. He describes a variety of folk thing in his novel; deeply dig the folk aesthetic values and national spirit, who wake up our thinking about Chinese traditional folk culture, ethics and values.Folk custom is a kind of culture, is novel important performance object, especially of the native soil novel performance object, and writer’s literature creation has a inextricably linked, while it has a close connection with the novel’s creation style and characteristics. Mo Yan for singers of folk culture, highly consciously in the novel description a lot of folk things like, folk tendency is very obvious, with deep cultural connotation. This article attempts from the angle of the folk custom of inquiry Mo Yan’s novels, most care of Mo Yan’s works, shows in detail under the pen of Mo Yan colorful high-density folklore world, causes of sound effects in Mo Yan’s writing a large number of folk description, and appreciation of the works of Mo Yan folk custom description of aesthetic value.First chapter in detail to show the Mo Yan novels, rich and colorful folk world, orthodoxy, Mo Yan’s novels, referring to Mr. Zhong Jing wen in Introduction to folklore, the folklore of divided in detail, Mo Yan’s novels in the description of the folk divided social customs, folk beliefs, folk language and folk opera.The second chapter deeply explores the causes of the formation of a large number of folk customs in Mo Yan’s works.First is his profound experience of high density culture, followed by the infection of Mo Yan’s folk tales. The third is Mo Yan hometown wipe not to love and hate the. Mo Yan, the people writing writing position of folk.The third chapter describes the aesthetic value of the folk custom of the works of Mo Yan. The first face micro literature, Mo Yan has successfully break through, opens up a new literary creation mode. Second, his Carnival to the reader’s eyes a bright, focused on the history of his narrative, the characters and the language of the carnival. The next is Mo Yan’s novel highly praised the main spirit of life, and finally his creation of Chinese traditional national culture to pay tribute.