Analyze The Application Of Tianjin Folk Custom In Dance Choreography From The Perspective Of Contemporary Aesthetic Culture

This article takes the analysis of the application of Tianjin folklore in choreography from the perspective of contemporary aesthetic culture as the research object,and takes the morphological analysis of contemporary aesthetic culture as the research entry point.The impact of contemporary aesthetic culture and Tianjin folk culture on choreography,summarizing the ways and means of folk integration into choreography in the context of contemporary aesthetic culture,enriching the theoretical basis of relevant staff,and further supplementing and perfecting the relevant theories of choreography.Using the literature method,interview method,scientific induction method,and logic analysis method,the following conclusions are drawn:1 Contemporary aesthetic culture exhibits three forms: main melody aesthetic culture,elegant aesthetic culture and popular popular aesthetic culture.Under the influence of contemporary aesthetic culture,the trend of dance creation is mainly reflected in the secular development,commodity economy and consumer culture.2 Tianjin Folklore is mainly divided into four types: folk arts and crafts,folk music and dance,opera and quyi,and folk entertainment.The historical origins of Tianjin folklore are relatively deep,mainly influenced by the natural environment,military establishment,ancient water transportation,and modern port opening.Among the four types of folklore activities in Tianjin,folklore activities such as opera,quyi and amusement sports are developing well,but the development of folk arts and crafts,folk music and dance are not optimistic,especially folk music and dance.3 In excellent dance works,you can clearly see the application of folk elements in choreography.For example,in "The Clay Figures",the folk stories of Tianjin Clay Figures are integrated into the themes of dance works;Chinese classical dances and martial arts movements are integrated into the dance movements,and Tianjin folk skills,acrobatics and dance are also integrated in Together,they showed the grand occasion of the “walking party” in the Qing Dynasty;they chose the era background of the late Qing and the early Republic of China and the turbulent political situation,the ups and downs,dramatic and twisted plots,and the integration of Tianjin 's clay sculpture culture,showing the joys and sorrows of the story,love and hatred;Tianjin Fagu,Tianjin Shitiao and other traditional Tianjin folk music are integrated into the work of the music;in the design of dance beauty,according to the different plot changes,character image,into the traditional Chinese costume design,combined with body language and dance technical skills,to achieve Tianjin folk custom Deep integration.The dance work "The Clay Figure" not only meets the contemporary aesthetic needs,but also enhances the audience's aesthetic level through the integration of Tianjin folklore and dance.4 "Gu Shang Fang Hua" takes Tianjin Haihe culture as the background,through the form of women's group dance,to show the deep feelings of the two generations of Tianjin people for their native land and their love for ordinary life.Incorporate Tianjin Haihe culture into the theme of the work;the plot tells the two generations to follow the times,and Fanghua has an appointment,showing the two generations in the most beautiful years and the most beautiful style story,incorporating the deep affection for the hometown,the Tianjin well The love of culture;the music has its ups and downs and has its anxieties and slacks.I chose "Phantom Like a Smoke",a traditional musical instrument with "three strings" as the accompaniment instrument,which fully integrated modern music with traditional music and instruments.;Dancing design,design rattle props,and colorful traditional Chinese long skirts,half skirts,in order to better show the Tianjin folklore in dance works.The performance of the dance piece "Gu Shang Fang Hua" fully embodies the well culture of Tianjin,and at the same time meets the contemporary aesthetic needs and improves the audience's aesthetic level.5 From the perspective of contemporary aesthetic culture,the integration of Tianjin folklore in dance creation mainly includes the following contents: grasping the characteristics of the times of selecting materials,using the typicality of the dance vocabulary,highlighting the representativeness of the dance image,playing the lyrical narrative function of the dance plot,and using music The style of the genre,the role of the environment with the help of dance beauty.