Inheritance And Development

Jiangxi arts master Huang Qiu yuan is one of the important representatives of the 1970 s of traditional Chinese landscape painting. He is a Past to today’s master of landscape painting, art conservation and comprehensive, landscapes, figures, flowers and birds, draw circles are involved and the landscape painting has a deep knowledge. He insisted on the core spirit of Chinese traditional painting, devoted his life to the study of Chinese traditional landscape. Face Huang Qiu yuan’s landscape painting park rich and varied, we can see that in their paintings he learn the essence of each of the ink. As Wang Meng close turns complicated point line interleaving, Shi Tao’s whims and chic sophistication Stony Brook vast, old age and vigorous landscape and learn Huang Binghong. He imitated but do not adhere to the traditional tradition, it is really to achieve a "go in" and "out" and finally formed a distinctive style characteristic landscape style. Meanwhile, the South Pine landscape landscapes and dense bodies has a clear line in China since ancient times followed the traditional landscape.In this paper, through the Huang Qiuyuan landscape of South Pine dense bodies in the form of inheritance and development to analyze, study for Chinese traditional landscape heritage concept. Article consists of introduction, four chapters and conclusion of six parts. Introduction topics from reason and significance, research situation analysis, innovation and research methods adopted by topic topic four bars pave the way for the later. The first part and the second part respectively of South Pine landscape landscapes and dense bodies made in accordance with the characteristics of the times and artistic heritage to sort out, and then the two binding summarized modeled separately from, the performance of the object, composition, pen and ink, aesthetic connotation five points summed South Pine landscape in the form of a substantially dense body appearance and artistic features. The third part of the yellow autumn yuan biographies, early and mid-late landscape style of discourse and to introduce the mentality of its landscape development. The fourth part by comparison with South Pine landscape in the form of dense bodies, respectively, from the performance of the object, the traditional division and division of good fortune, composition, pen and ink, aesthetic feelings to explore its dense bodies South Pine landscape inheritance and development.Contemporary painting in a wide variety of artistic styles emerging, artists have been satisfied with the pursuit of a single artistic language, and means of painting has not the form of painting, drawing tools, and the traditional concept of the shackles. Faced with the challenges of the new era, Chinese landscape painting altar will be what we do not know the pattern. Comparative analysis of the landscape yuan and the South to send yellow autumn landscape in the form of dense bodies, we can find some abandoned and succession of things, which might be able to help us with their own practice in the new historical background to create more in line with the current spirit of the times excellent work.