Try To Talk About Comprehensive Mode

In this paper, the theory of the core is integrated mode. Integrated mode is Mr Xiao-sheng zhao in his book "the traditional composing techniques in the proposed concept. This article attempts through to the 20 th century music after the analysis of some phenomena in terms of pitch organization to explain the practicability and for the creation of integrated mode of guiding significance.The article will be divided into three parts, a comprehensive mode, the music of the 20 th century, three and conclusion. In the first part of the 20 th century music,music in the 20 th century’s "broken" and "state" of the 20 th century music some new changes in using of pitch organization, mode, comprehensive mode in order to illustrate the necessity and possibility of technology to form xiao-sheng zhao and put forward the concept of some theoretical basis. And tease out the comprehensive thinking, the formation process of integrated mode technique. In the second part of the integrated mode, through to the traditional mode and comprehensive mode definition,comparison, and through analysis of the instance of the composer comprehensive mode of traditional mode of inheritance and innovation., for the western composers,especially the analysis of the typical works of bartok, preliminary understanding the use of the integrated mode and type, and absorb some composers in the successful experience of using this technique. The third part is the conclusion, the results for the final summary, is pointed out that the significance of this technique on the specific creation, on the analysis of the traditional Chinese folk music, opera understand our traditional music inherent in comprehensive thinking, and puts forward some ethnic music in the use of this technique in future and look forward to. The shortfalls, and puts forward some research as well as the difficulties.