On Wang Guowei "Realm" Inspired Sculpture Context

Chinese sculpture linguistic context requires traditional Chinese philosophy, aesthetics, culture to cast their soul, to explore the nature of art, the nature of sculpture. In this paper, first proposed nature of art and sculpture own understanding of the nature and philosophy and aesthetics reflected by the way the paper ideas and Wang Guowei "State" theory, and finally combining sculpture, inspired by the statements of the sculpture of context and contact."Realm ideal" theory is not only inherited the Chinese traditional spatial context of art- poetry in the mood to learn the concept of the traditional artistic conception theory summarized and transformation, and creative blend of philosophy, the Western aesthetic theory since the 18 th century, created the modern artistic conception theory to guide research and artistic creation of precedent. When we begin to reshape the system of Western academic career when Chinese sculpture, art no boundaries, has no boundaries of sculpture, the sculpture is in a new and original concept of the impact of our thinking in the 18 th century Kant ’judgment Critical force "proposed, since the art of ancient Greece and the United States began to study and set up a real reflection, starting from Kant in terms of art theory, is esthetician, philosopher thinking about the future direction of exploration of art, but the artist is endless imitation rest on its laurels. Chinese sculpture Chinese linguistic context needs to be restored to the original sculpture cognitive system, the development of modern philosophy and aesthetics constructed in the context of the times.