Research On The Application Of Traditional Animal Sculpture Language In Sculpture Creation

Among the numerous categories of ancient Chinese art,sculpture has become a bright Oriental pearl in the whole history of art with its unique shape,among which traditional animal sculpture occupies an important position.This paper takes the traditional animal sculpture language of past dynasties in China as the main clue,and applies the research methods of image science,semiotics and sociology.Through to the most representative of Chinese traditional sculpture in traditional animal sculpture language analysis summarized,especially to empirically analyze the animal sculpture modeling of han and tang dynasties,to the creation of personal reference in traditional animal sculptures of genes,and from the perspective of multiple level of Chinese contemporary sculpture need to inherit the Chinese traditional sculpture the importance and necessity of blood.This paper is summarized into three parts:In the first part,the author briefly combs the characteristics of animal sculpture in the past dynasties,and explores,summarizes and summarizes the social values,aesthetic taste and modeling ideas of the ancient people through the expression forms and modeling techniques of traditional Chinese animal sculpture.In the second part,modern artists' reference and interpretation of traditional animal sculpture art is manifested as the purity of sculpture language and the return of ontological language.The third part aims at the practice of integrating the essence of traditional animal sculpture into individual creation,learning and inheriting the traditional sculpture language,and paying attention to the social and aesthetic relationship between human beings and animals in the creation process.Visually,it gives the viewer a trace of thetraditional culture to express the return of the spiritual connotation of the traditional culture in the contemporary context.