The Study Of Chanting Sanqu Of Ming Dynasty

This thesis studies the <Non-dramatic Sanqu from Ming dynasty>. Take chanting things! as research perspective. Mainly focus on chanting things for non-dramatic Sanqu from Ming dynasty. This thesis can be divided into three chapters besides exordium and explanations.Chapter one mainly introduce the creation of non-dramatic Sanqu from Ming dynasty. Firstly, my article has a brief look of at the author#s and their articles. Secondly, I made a list of the object what non-dramatic Sanqu are writing about: climate, plants, living, animals and clothes. Before sorted, you should know the definition and judgment of chanting thing!.Chapter two clarifies the emotion and inner meaning of non-dramatic Sanqu from Ming dynasty. Ming writers had created large amount of non-dramatic Sanqu. Most of them are about describing affairs. I clarify five aspects of them: describe things, showing oneself, reveal oneself, strong wills that can#t be realized, hermitry, travelling, missing ones lovers,being cynical, worry about countries and people and being worldly.Chapter three mainly analyses the art character of Ming dynasty non-dramatic Sanqu. I studied the art characters from five aspects in detail: Version, rhyme,using literary quotation and rhetoric. We can draw a macroscopical conclusion of the creation styles. Of which, the creation perspective is totally a new field. I have re-scanned the Ming dynasty non- dramatic Sanqu by how they create.The conclusion mainly summarizes the creation style of Ming dynasty non-dramatic Sanqu and innovative points. Then analyses and sums up the differences between Yuan and Ming Dynasties in varies aspects. Thus, we will have a new understanding of the development of the special literary genre.