"Quan Ming Sanqu" A Study Of Northern Sanqu In The Early Ming Dynasty

Early Ming Dynasty refers to the period from Hong Wu to Zheng De.This is the development process of ancient San qu,to some extent,to undertake and imitate the style of Yuan qu and gradually opened up an important part of the pattern of San qu in practice in Ming Dynasty.According to the collection of Quan Ming San Qu,among the numerous composers and works of northern san qu in this period,there are 48 writers from Wang Yizi to Kang Hai,1792 short lyrics and 294 sets of opera.This study focuses on the analysis of the emotional expression of the works of northern san qu in the early Ming Dynasty,and examines the inheritance and changes of the writing experience and aesthetic concepts in the early Ming Dynasty.This paper consists of four parts:The first chapter is about the theory over sound and emotion in the literati quology.To clarify the development of the theory of official music and the theory over sound and emotion in the folk classics before the Ming Dynasty,the theory of official music has a strong educational meaning since it came into being,and has not changed much in many dynasties.In the folk books of the Yuan Dynasty,great importance was attached to the melody and specific creation of San Qu,with few thoughts of defending Taoism.Although there were also some literati who wrote San Qu in Ming Dynasty's music theory books,they mainly expressed their personal feelings.The second chapter is the discussion of northern san qu in the early Ming Dynasty from the perspective of the theory of sound and emotion.First of all,establish the importance of the theory of sound and emotion in the classification of San Qu palace tunes.Secondly,classify and explore the emotional expression in the eleven Gong Diaos used,such as double tunes,Nan lv,Yue Diao,Zhong lv,Zheng Gong,etc.Thirdly,further analyze the Gong Diao and emotional expression of the same theme works,and clarify the relationship between them.The third chapter compares the similarities and differences between the works of the early Ming Dynasty and those of the Yuan Dynasty northern San Qu.The first step is to collect the similarities and differences in the content,sentence structure,writing characteristics and other external presentation of writing described in the Qu pai of northern San Qu and Yuan San Qu in the same Gong Diao in the early Ming Dynasty.The second step is to compare the similarities and differences in the internal temperament of writing expressed in the same subject works of northern San Qu in the early Ming Dynasty and Yuan San Qu.The third step is to explore the inheritance of northern San qu in the subject matter content,critical spirit,sentence patterns in the early Ming Dynasty to Yuan people's San Qu,focusing on the innovation of northern San Qu's emotional attitude towards the same social groups,new industries description,new forms of pursuit,etc.The fourth chapter discusses the aesthetic concept of drama writing in the early Ming Dynasty.First of all,through the expression of language,ideological content,emotional expression and other aspects in the early Ming San Qu works,it presents its elegant and popular characteristics.Secondly,it explores the inheritance of the attitude of San Qu works in the early period of Ming Dynasty to Yuan San Qu through four aspects: love landscape,fame and laziness,drinkers' keeping their names and female's aesthetic appreciation.At last,the writer's innovative views and attitudes on the criticism of current events,the theme of marketplace,and the expression of emotion are analyzed.