Research On The Aesthetic Psychological Distance Of Literature In The Age Of Image

With our culture has entered or is entering the era of image, which is now an indisputable fact. The arrival of the era of image bring to us is not only a variety of images, more important is, people have been to the world understanding and way of life will be subverted, people’s way of thinking changed. The ability of perceiving the world is changing. Fundamentally speaking, the current changes in the cultural field is mainly from the traditional sense of the language center image into visual image now as the center. The image of art into our life quietly, become a reality in our daily life. The image of the reflected in literature is not only confined to the linguistic features of external, but also for the characterization of image within the text. Although the text as image so fast, intuitive and image, but it is because of the word problems in these areas to create the permanent charm of literature, like literature famous "Defamiliarization" effect is the best embodiment. Now we face a realistic image are flooding our life and the current culture is more by visual display and watch composition, image has very strong infectivity and growing, with image to the realm of culture infiltration of literature is gradually showing an image of the situation. Language and image difference not only in different culture media, the most important is the shift from the certain meaning indicates the language aesthetic form to the evolution of visual aesthetic image. This culture of the visual image to have to say and economy and the rapid development of consumer society rapid rise has a close relationship, perhaps can be said consumption indirectly, to promote the image of art and the relationship between image and consumption makes the and literary aesthetic conflict, then carry out the long struggle of graphic.In the current of advocating "gapless" aesthetic cultural context, emphasizing the aesthetic of "psychological distance", emphasize "Aesthetic Disinterestedness", as it is in the culture and the art of image aesthetic principles as contrary. But this is a question that has to be mentioned, because there is a complex relationship between the image and consumption. In today’s consumer era, the image of the acceptance and aesthetic with a strong utilitarian and practical. Due to the acceptance of the image culture, aesthetic attitude was introduced in real life, people’s daily life is filled with more and more artistic quality. The opposition between art and life disappear gradually, gradually narrow the differences, "psychological distance" role is also to some extent to be ruled out; even the art production has been incorporated into the economy part of the aesthetic and artistic activities, out of the "non utilitarian", a utilitarian, purpose, "psychological distance" of the philosophical basis of "non utilitarian aesthetic" will be deconstructed; contemporary aesthetic activities in meaning, value and experience factors in gradually weakening, but the performance of pleasure, the entertainment factors in the growing, which also showed people by advocating rational to seek pleasure, beauty will not seek improvement, the process of "psychological distance" is missing Lost. In a sense, the contemporary aesthetic culture and even refused to participate in the "psychological distance".