Music Cultural Perspectives Of The Daur Compared With Hezhen Rap Art

This thesis, from the perspective of musical culture, compared Wuqin and Yimakan which are talking-singing arts respectively of Daur ethnic and Hezhen ethnic to conclude their similarities and differences. And then it talked about the inheritance and preservation of the two talking-singing arts as well as an expectation for their future.Firstly, this thesis analyzed the internal relevance between Daur and Hezhen’s life styles and talking-singing arts, considering the differences that Wuqin and Yimakan showed in different historical periods. Thus it explored the development of the two talking-singing arts in future for a better social function and education function.Secondly, this thesis analyzed the musical characteristics, arts’origin, arts’ changes and uniqueness of the two ethnics from the perspective of physical attributes and spiritual attributes of musical culture. And then it described the uniqueness of the two talking-singing arts and their relevance with the overall ethnic characteristics as well as the differences from the perspective of cultural structure, musical form and cultural function. Moreover, this thesis discussed the significance of Daur’s and Hezhen’s musical systems’influence on the development of other music fields, emphasizing the focus of this thesis.Finally, on the basis of culturology, this thesis concluded the similarities and differences of the talking-singing arts of Daur and Hezhen, considering the folk culture and geographical cultural condition. The two ethnics did contributions not only to the inheritance and development of Wuqin and Yimakan but also to the promotion and inheritance of the national culture heritage.