The Water Image Reaserce Of Confucian And Taoist In The Per-Qin Dynasty

The culture of Qin is the source of Chinese literature and the starting,it is not only the active stage of literary creation, but also gave a brilliant example for the later literature, created many researchable object. From the pre-qin literature texts, the later the researchers can not only see philosopher’s literary achievements and social living conditions at that time, you can also find from the cultural origin of ancient continues today. Through the study of pre-qin literature classics water imagery, can clarify the origin of China water ethics thought, lay a foundation for the understanding of the water culture of comprehensive system. In the spring and autumn period and the warring states period, increased productivity, people also from the original stage to the understanding of the nature of the mysterious unknown to conquer and transformation, they are no longer worshipped attitude about everything to do with nature, but with a kind of equality of your peace of mind and life to observe all of nature. People admire envy water, enjoy the pure nature and liquid, water envy yu nothing to injure of gesture. Water in the eyes of the pre-qin philosophers, there is no life is no longer a pure natural substances, but has a personality, dedicating to information carrier, their water than itself, or yu tao,with water to water than Germany. Image processing and reformation after the ancient sages, water has become the aesthetic connotation and practical value and view multiple features such as image. Water imagery of the pre-qin literature, aesthetics and philosophy has a big influence, based on the water in the pre-qin classics image, this paper mainly analyzes the Confucian and Taoist water imagery in their essays, compare them in terms of content and form of the similarities and differences between different performance and the ideology and performance, and the water in the Confucianism two prose image creation of later generations, and analyzes the influence of the literary theoryThe first chapter of the pre-qin period water image has carried on the overall overview, respectively from the definition of water imagery and sages and books on the philosophical level, the specific manifestations of literary level and aesthetic level. Specific images out of the water in the origin of "imagery" development,selectthe "book of songs" and Confucianism classics analysis summary.The second chapter,respectively,thewater in the Confucianism of pre-qin prose image and the water in the Taoist prose that discusses the different manifestations of the water in the Confucian their essays image mainly water than Germany, has a positive enterprising water, jade water and water of benevolence and etiquette, and Taoism in their essays mainly water yu tao, show the ideas of good water, the water of the water of quiescence and inaction.In the third chapter, mainly in the pre Qin Confucianism prose of water image comparison the similarities and differences of ideology and perspective from the analysis of the twoThe fourth chapter mainly summarizes the characteristic of the pre-qin water imagery and on later literary creation and the influence of the literary theory innovation, etc.